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That continuous thing : artists and the ceramics studio, 1920-today / edited by Sara Matson and Sam Thorne ; with contributions from Glenn Adamson, Aaron Angell, Alison Britton, Tanya Harrod, Bernard Leach, Sara Matson, Julian Stair, Sam Thorne, Edmund de Waal, Jesse Wine, Sōetsu Yanagi.
Format
Book
Language
English
Published/Created
London : Tate St Ives in association with Tate Publishing, 2016.
Description
156 pages : illustrations (some color) ; 21 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
ReCAP - Remote Storage
NK3940 .T43 2016g
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Details
Subject(s)
Pottery
—
21st century
—
Exhibitions
[Browse]
Art pottery
—
21st century
—
Exhibitions
[Browse]
Ceramic sculpture
—
21st century
—
Exhibitions
[Browse]
Ceramics
—
21st century
—
Exhibitions
[Browse]
Editor
Matson, Sara
[Browse]
Thorne, Sam
[Browse]
Contributor
Matson, Sara
[Browse]
Thorne, Sam
[Browse]
Adamson, Glenn
[Browse]
Angell, Aaron
[Browse]
Britton, Alison
[Browse]
Harrod, Tanya
[Browse]
Leach, Bernard, 1887-1979
[Browse]
Stair, Julian
[Browse]
De Waal, Edmund
[Browse]
Yanagi, Muneyoshi, 1889-1961
[Browse]
柳宗悦, 1889-1961
[Browse]
Matson, Sara
[Browse]
Matson, Sara
[Browse]
Thorne, Sam
[Browse]
Thorne, Sam
[Browse]
Thorne, Sam
[Browse]
Adamson, Glenn
[Browse]
Angell, Aaron
[Browse]
Britton, Alison
[Browse]
Harrod, Tanya
[Browse]
Leach, Bernard, 1887-1979
[Browse]
Stair, Julian
[Browse]
De Waal, Edmund
[Browse]
Wine, Jesse, 1983-
[Browse]
Yanagi, Muneyoshi, 1889-1961
[Browse]
Interviewer
Thorne, Sam
[Browse]
Interviewee
Wine, Jesse, 1983-
[Browse]
Related name
Tate Gallery St Ives
[Browse]
Summary note
From the rise of studio pottery in the 1910s to a number of new commissions by a young generation of UK-based artists, That Continuous Thing traces the changing shape of the ceramics studio over the last century, from the radical to the apparently traditional. Opening with exchange between Japan and the UK in 1910s and 1920s through the emergence of studio potters such as Bernard Leach, Shoji Hamada and Dora Billington, the book leads on to the Californian "clay revolution" of the 1950s and 1960s, with sculptures by the pioneering artist Voulkos. The book also includes works by contemporary artists made over the last three years at Angell's London-based Troy Town Art Pottery, which has been described as "a radical and psychedelic workshop for artists."
Notes
Published to support the development of the exhibition "That Continuous Thing: Artists & the Ceramics Studio, 1920-Today" at Tate St Ives, March 31-September 3, 2017.
Bibliographic references
Includes bibliographical references (pages 145-148) and index.
Other title(s)
That continuous thing, artists & the ceramics studio, 1920-today.
ISBN
9781849764339
1849764336
OCLC
929592646
RCP
C - S
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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That continuous thing : artists and the ceramics studio, 1920-today / edited by Sara Matson and Sam Thorne.
id
99104228233506421