Skip to search
Skip to main content
Catalog
Help
Feedback
Your Account
Library Account
Bookmarks
(
0
)
Search History
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Send
to
SMS
Email
Printer
Bookmark
The afterlife of images : translating the pathological body between China and the West / Larissa N. Heinrich.
Author
Heinrich, Larissa
[Browse]
Format
Book
Language
English
Published/Created
Durham : Duke University Press, 2008.
Description
xiv, 222 pages, 8 pages of plates : illustrations (some color) ; 24 cm.
Availability
Available Online
JSTOR DDA
Copies in the Library
Location
Call Number
Status
Location Service
Notes
ReCAP - Remote Storage
R836 .H46 2008
Browse related items
Request
Details
Subject(s)
Medical illustration
—
History
[Browse]
Medicine in art
—
History
[Browse]
Missions, Medical
—
China
—
History
[Browse]
Medicine
—
China
—
History
[Browse]
Series
Body, commodity, text.
[More in this series]
Summary note
"In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qua collaborated with the American medical missionary Peter Parker in the creation of portraits of Chinese patients with disfiguring pathologies, rendered both before and after surgery. Europeans saw those portraits as evidence of Western medical prowess. Within China, the visual idiom that the paintings established influenced the development of medical photography. In The Afterlife of Images, Larissa N. Heinrich investigates the creation and circulation of Western medical discourses that linked ideas about disease to Chinese identity beginning in the eighteenth century." "Combining literary studies, the history of science, and visual culture studies, Heinrich analyzes the rhetoric and iconography through which medical missionaries transmitted to the West an image of China as "sick" or "diseased" She also examines the absorption of that image back into China through missionary activity, through the earliest translations of Western medical texts into Chinese, and even through the literature of Chinese nationalism. Heinrich argues that over time "scientific" Western representations of the Chinese body and culture accumulated a host of secondary meanings, taking on an afterlife with lasting consequences for conceptions of Chinese identity in China and beyond its borders."--BOOK JACKET.
Bibliographic references
Includes bibliographical references (p. [197]-212) and index.
Contents
1. How China Became the "Cradle of Smallpox": Transformations in Discourse
2. The Pathological Body: Lam Qua's Medical Portraiture
3. The Pathological Empire: Early Medical Photography in China
4-. "What's Hard for the Eye to See": Anatomical Aesthetics from Benjamin Hobson to Lu Xun
Epilogue: Through the Microscope.
Show 2 more Contents items
ISBN
9780822340935 (cloth : alk. paper)
0822340933 (cloth : alk. paper)
9780822341130 (pbk. : alk. paper)
0822341131 (pbk. : alk. paper)
LCCN
2007032555
OCLC
164802735
RCP
C - S
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information
Other versions
The afterlife of images : translating the pathological body between China and the West / Larissa N. Heinrich.
id
99125411539306421
The afterlife of images : translating the pathological body between China and the West / Larissa N. Heinrich.
id
9953935163506421