Skip to search
Skip to main content
Catalog
Help
Feedback
Your Account
Library Account
Bookmarks
(
0
)
Search History
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Send
to
SMS
Email
Printer
Bookmark
Joyce's audiences / edited by John Nash.
Format
Book
Language
English
Published/Created
Amsterdam ; New York : Rodopi, 2002.
Description
225 p. ; 23 cm.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
ReCAP - Remote Storage
PR6019.O9 Z6695 2002
Browse related items
Request
Details
Subject(s)
Joyce, James 1882-1941
—
Appreciation
[Browse]
Related name
Nash, John
[Browse]
Series
European Joyce studies 14.
[More in this series]
European Joyce studies ; 14
[More in this series]
Summary note
This book presents for the first time a collective examination of the issue of audience in relation to Joyce's work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce's work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce's Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author's own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses ; the 'plain reader' in modernism; Richard Ellmann's influence on Joyce's reputation; the implied audiences of Stephen Hero and Portrait ; Borges's relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce's work; the revisions to "Work in Progress" that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the 'belated' readings of post-structuralism.
Bibliographic references
Includes bibliographical references.
Action note
Committed to retain in perpetuity — ReCAP Shared Collection (HUL)
Contents
Preliminary Material / John Nash
BIBLIOGRAPHICAL NOTE / John Nash
INTRODUCTION / John Nash
"SHORT CUTS TO CULTURE": CENSORSHIP AND MODERNISM; OR, LEARNING TO READ ULYSSES / Barbara Leckie
MODERNISM AND "THE PLAIN READER'S RIGHTS": DUFF-RIDING-GRAVES RE-READING JOYCE / Jean-Michel Rabaté
READING ELLMANN READING JOYCE / John McCourt
THE AUDIENCES FOR JOYCE'S AUTOBIOGRAPHIES / Roy Gottfried
A MEETING IN THE WESTERN CANON: BORGES'S CONVERSATION WITH JOYCE / Beatriz Vegh
JOYCE ON THE EASTERN EDGE: GLOBALIZATION, LOCALIZATION AND JOYCE STUDIES IN TAIWAN / Yu-Chen Lin
"AMERICA IS FRANKLY CONTEMPTUOUS": JAMES JOYCE'S WORK IN PROGRESS FOR THE UNITED STATES / Craig Monk
"A CONSTANT LABOUR": WORK IN PROGRESS AND THE SPECIALIZATION OF READING / John Nash
JOYCE READING HIMSELF AND OTHERS / Ingeborg Landuyt
PROTOCOLS OF READING ULYSSES / Brian G. Caraher
FEMINIST AUDIENCES FOR JOYCE / Catherine Driscoll
THE FIDELITY OF THEORY: JAMES JOYCE AND THE RHETORIC OF BELATEDNESS / Joe Brooker
NOTES ON CONTRIBUTORS / John Nash.
Show 13 more Contents items
ISBN
9042011130 (hd. bd.)
OCLC
50993888
RCP
H - S
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information
Other versions
Joyce's audiences / edited by John Nash.
id
9938159853506421