Jazz diasporas : race, music, and migration in post-World War II Paris / Rashida K. Braggs.

Author
Braggs, Rashida K., 1976- [Browse]
Format
Book
Language
English
Published/​Created
  • Oakland, California : University of California Press, [2016]
  • ©2016
Description
xvi, 261 pages : illustrations ; 23 cm.

Details

Subject(s)
Series
Summary note
"At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians--and African American artists based in Europe like writer and social critic James Baldwin--adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"--Provided by publisher.
Notes
"The George Gund Foundation imprint in African American Studies."
Bibliographic references
Includes bibliographical references (pages 227-242) and index.
Action note
Committed to retain in perpetuity — ReCAP Shared Collection (HUL)
Contents
  • Performing jazz diaspora with Sidney Bechet
  • Jazz at home in France: French jazz musicians on the war path to "authentic" jazz
  • Inez Cavanaugh: creating and complicating jazz community
  • Boris Vian & James Baldwin in Paris: are we a blues people too?
  • Kenny Clarke's journey between "black" and "universal" music
  • Coda: beyond color-blind narratives: reading behind the scenes of Paris blues.
Other title(s)
  • Race, music, and migration in post-World War II Paris
  • Project Muse UPCC books
ISBN
  • 9780520279346 ((cloth ; : alk. paper))
  • 0520279344 ((cloth ; : alk. paper))
  • 9780520279353 ((pbk. ; : alk. paper))
  • 0520279352 ((pbk. ; : alk. paper))
LCCN
^^2015026558
OCLC
910535843
RCP
H - S
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