Rome, travel and the sculpture capital, c.1770-1825 / edited by Tomas Macsotay.

Format
Book
Language
English
Published/​Created
London ; New York : Routledge, 2017.
Description
xx, 274 pages : illustrations ; 25 cm.

Details

Subject(s)
Editor
Summary note
This book pieces together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies.
Bibliographic references
Includes bibliographical references (pages 249-268) and index.
Action note
Committed to retain in perpetuity — ReCAP Shared Collection (HUL)
Contents
  • Introduction: 'close up and far away' / Tomas Macsotay
  • Restoring and making sculpture in eighteenth-century Rome: a shared practice / Chiara Piva
  • promoting sculpture in eighteenth-century Rome: exhibitions, art criticism, public / Susanne Adina Meyer
  • Bringing modern Rome to Chatsworth: the formation of the 6th Duke of Devonshire's sculpture collection / Alsion Yarrington
  • Truly transnational? sculpture studios in Rome after the Restoration / Christina Ferando
  • In the shadow of the star: career strategies of sculptors in Rome in the Age of Canova (c. 1780-1820) / Daniella Gallo
  • Canova and his German friends / Johannes Myssok
  • Multiple views, contours and sculptural narration: aesthetic notions of neoclassical sculpture in and out of Rome / Roland Kanz
  • Sculptor and tourist: John Flaxman and his Italian journals and sketchobooks (1787-1794) / Eckart Marchand
  • Struggle and the memorial relief: John Deare's Caesar Invading Britain / Tomas Macsotay
  • The sculptor, the Duke and queer art patronage: John Gibson's Mars Restrained by Cupid and Winckelmannian aesthetics / Roberto C. Ferrari.
ISBN
  • 9781472420350 (hardback)
  • 1472420357 (hardback)
OCLC
938994579
RCP
H - S
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Supplementary Information