Details

Subject(s)

• Feminism and art—Israel [Browse]
• Feminism in art [Browse]
• Women in art [Browse]
• Feminism and literature—Israel [Browse]
• Feminism and art—Europe [Browse]
• Feminism and art—United States [Browse]

Summary note

Feminist art and theoretical discussion are linked by a unique and reciprocal bond whose influence extends far beyond their own bounds into the social, cultural, political, and economic realms - and the personal lives of women and men alike. This linkage was forged in the 1970s in the United States, a decade which witnessed the emergence and growth of the Women's Liberation, Civil Rights, LGBT, and hippie movements and the protest against the Vietnam War. In response to these events, large numbers of artists joined the ranks of contemporary political-feminist activists, their art directly reflecting the concerns of feminist theory and practice. In order to elucidate the geographical divide, this book takes as a test case the work of Mary Kelly who, while born in the U.S.A., produced much of her work while living in Britain and under the influence of European thought. This volume adopts an interdisciplinary approach via which it compares American feminist art and artists with their European counterparts. Challenging traditional disciplinary boundaries, it moves beyond an art-history survey to discuss the artistic field in relation to feminist theory and politics, revealing the continuing relevance of these for the contemporary reader. While concentrating upon the second wave of feminism, it also addresses aspects of the third wave and the current state of the feminist movement, particularly in respect to the Israeli art scene.

Bibliographic references

Includes bibliographical references (p. [185]-202) and index.

Action note

Committed to retain in perpetuity — ReCAP Shared Collection (HUL)

Language note

In English translated from the Hebrew.

Contents

• First -generation feminist art. An historical view: the birth of feminist art
• A kaleidoscopic view: the proliferation of feminist art streams
• Attitudes towards 1970s femiinist art
• Test case. The post-partum document: the exception that proves the rule
• Motherhood and the feminist discourse: an on-going debate
• The absence of maternal respresentation in first-generation feminist art
• Re-reading. American versus European feminist art: does a dichotomoy really exist?
• Postermodernism: early streams
• The "death of the author": vive la femme auteur
• Afterword. Feminism and women's art in Israel: influences and correlation with American feminist art.

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ISBN

• 1443842192
• 9781443842198

LCCN

^^2013375338

OCLC

819135572

RCP

H - S

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