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Landscape, seascape, and the eco-spatial imagination / edited by Simon C. Estok, I-Chun Wang, and Jonathan White.
Format
Book
Language
English
Published/Created
New York, NY : Routledge, 2016.
©2016
Description
viii, 241 pages : illustrations ; 24 cm.
Details
Subject(s)
Landscapes in literature
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Geographical perception in literature
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Space and time in literature
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Nature in literature
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Ecology in literature
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Ecocriticism
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Editor
Estok, Simon C.
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Series
Routledge interdisciplinary perspectives on literature ; 67.
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Routledge interdisciplinary perspectives on literature ; 67
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Bibliographic references
Includes bibliographical references and index.
Contents
Introduction / Jonathan White
The Geography of Otherness: The Art of Moving and the Space of Time / Jonathan Hart
The World as a Garden Landscapes and Spatial Imagination in Ancient Egypt / Chloe Ragazzoli
One Island, Two Founding Myths: When Albion Turns into Britain / Sophia Yashih Liu
Imperial Landscape of the Mughal Empire in Early 17th Century Geographical and Travel Writings / I-Chun Wang
The Sublime as the Beautiful: Spatial Displacements in Edward Lear's Landscapes and Limericks / Mou-Lan Wong
Some Like It Hot: Sato Haruo's Travels in the Colony / Ping-hui Liao
The Work of Mourning: W. G. Sebald's The Rings of Saturn / Yu-cheng Lee
The Geography of Postmodern Meta-utopian Spaces: Last Call for a Revolution? / Mary E. Theis
The Hermitage as a Converging Space between Nature and Civilization / Chung Ling
The Changing Ethnic Landscape of Norwegian Theatre / Baron Kelly
Re-visioning Pacific Seascapes, Performing Insular Identities in Robert Sullivan's Star Waka and Syaman Rapongan's Eyes of the Sky / Hsinya Huang
Place, Landscape and Self in Gao Xingjian's Soul Mountain / Krishna Barua and Anurag Bhattacharyya
Afterword: Tripping on the Edge of Everything: Landscape and Ecocriticism / Simon C. Estok.
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ISBN
9781138100947 (hardcover : alkaline paper)
1138100943 (hardcover : alkaline paper)
LCCN
2016013414
OCLC
951742405
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Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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