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Raphael and France : the artist as paradigm and symbol / Martin Rosenberg.
Author
Rosenberg, Martin, 1951-
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Format
Book
Language
English
Published/Created
University Park, Pa. : Pennsylvania State University Press, ©1995.
Description
xii, 226 pages : illustrations ; 29 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Marquand Library - Remote Storage: Marquand Use Only
ND623.R2 R674
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Details
Subject(s)
Classicism in art
—
France
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Art, French
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Raphael 1483-1520
—
Influence
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Summary note
Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were not as abrupt or as all-encompassing as has been assumed. By tracing the continuity and transformation of the classical ideal, with Raphael's art and image as central paradigms, Rosenberg achieves a broader, more accurate, and comprehensive view of French artistic developments during this period.
Rosenberg draws on careful readings of primary sources, including the correspondence and lectures of the French Academy, some of which are unpublished; most of the major theoretical treatises by French and foreign authors; and contemporary criticism and works of art. In the process, he strikes a methodological balance between traditional art-historical approaches and insights provided by more contemporary approaches, such as semiotics and post-structuralism. As the notion of isolated genius as the prime force in art has given way to a broader, more contextual view of art and history, interest in past traditions once regarded as outmoded or dead has grown tremendously. This book makes a timely contribution to this widening area of inquiry.
Bibliographic references
Includes bibliographical references (p. [209]-221) and index.
Contents
pt. 1. Raphael in French Classical Theory and Practice (1660-1700). 1. The Creation of a French Raphael. 2. The Academy in Paris and Rome: Theory and Practice. 3. Roger de Piles and the Partisans of Color and Design
pt. 2. Raphael in French Eclecticism (1700-1743). 4. Raphael and the Academy (1699-1746). 5. Amateurs' Contributions (1700-1747)
pt. 3. Raphael in the Neoclassical Revival (1747-1793). 6. Artistic Ferment Around Mid-Century. 7. Foreign Neoclassicists' Views of Raphael. 8. Raphael and Neoclassicism in France (1774-1793)
pt. 4. Nineteenth-Century Perspectives on Raphael (1793-1830). 9. Raphael's Fortunes Under the Revolution and Napoleon. 10. Raphael in the Romantic Period. Conclusion: Transformations of Raphael in France (1660-1830)
App. I. Raphael's Works in the King's Collection
App. II. Roger de Piles's "Balance des Peintres"
App. III. Italian Works Brought to France by Napoleon.
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ISBN
0271013001 ((acid-free paper))
9780271013008 ((acid-free paper))
0271011009
9780271011004
LCCN
93030505
OCLC
28710702
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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Explorations in rhetorical criticism, edited by G.P. Mohrmann, Charles J. Stewart [and] Donovan J. Ochs.
id
99886723506421
Explorations in rhetorical criticism / edited by G. P. Mohrmann, Charles J. Stewart [and] Donovan J. Ochs.
id
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