Skip to search
Skip to main content
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Cite
Send
to
SMS
Email
EndNote
RefWorks
RIS
Printer
Bookmark
Radio and the politics of sound in interwar France, 1921-1939 / Rebecca P. Scales.
Author
Scales, Rebecca, 1976-
[Browse]
Format
Book
Language
English
Published/Created
Cambridge, United Kingdom : Cambridge University Press, 2016.
©2016
Description
ix, 299 pages : illustrations, map ; 24 cm.
Availability
Available Online
Cambridge Core All Books
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Firestone Library - Stacks
HE8697.85.F8 S34 2016
Browse related items
Request
Details
Subject(s)
Radio broadcasting
—
Political aspects
—
France
—
History
—
20th century
[Browse]
Radio broadcasting
—
Social aspects
—
France
—
History
—
20th century
[Browse]
Sound
—
Political aspects
—
France
—
History
—
20th century
[Browse]
Sound
—
Social aspects
—
France
—
History
—
20th century
[Browse]
Mass media
—
Political aspects
—
France
—
History
—
20th century
[Browse]
Mass media
—
Social aspects
—
France
—
History
—
20th century
[Browse]
Politics and culture
—
France
—
History
—
20th century
[Browse]
France
—
Politics and government
—
1914-1940
[Browse]
France
—
Social life and customs
—
20th century
[Browse]
Series
Cambridge social and cultural histories
[More in this series]
Summary note
"In December of 1921, three years after the Armistice that ended the First World War, a former army radio transmitter on the Eiffel Tower broadcast France's first public radio program, composed of weather and stock bulletins and a short musical concert performed in a rudimentary studio nearby. A decade later, twenty-five state-run and commercial stations were transmitting radio broadcasts across France. Radio had evolved from the pastime of a few tech-savvy wireless amateurs into a mass media capable of reaching millions of listeners. Urban crowds gathered on city streets and in stadia to listen to fiery propaganda speeches broadcast via loudspeaker, schoolchildren clustered around radio receivers in their classrooms, and families tuned in to music and news from the comforts of their living rooms. By 1936, the composer and music critic Emile Vuillermoz could write in the illustrated weekly Le Miroir du monde that French audiences were 'gorging themselves tirelessly in uninterrupted listening to radio, sound films, and the phonograph'"-- Provided by publisher.
Bibliographic references
Includes bibliographical references (pages 269-290) and index.
Contents
Radio Broadcasting and the Soundscape of Interwar Life
Disabled Veterans, Radio Citizenship, and the Politics of National Recovery
Cosmopolitanism and Cacophony : Static, Signals, and the Making of a "Radio Nation"
Learning by Ear : School Radio, partisan politics, and the Pedagogy of Listening
Dangerous Airwaves : Propaganda, Surveillance, and the Politics of Listening in French Colonial Algeria
Conclusion: Paris-Mondial : Globalizing the Voice of France.
Show 3 more Contents items
ISBN
9781107108677 ((hardback))
1107108675 ((hardback))
LCCN
2015039572
OCLC
921917320
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Other views
Staff view
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information
Other versions
Radio and the politics of sound in interwar France, 1921-1939 / Rebecca Scales.
id
99113509293506421