Details

Subject(s)

• Music and the Internet [Browse]
• Music—Computer network resources [Browse]

Editor

• Whiteley, Sheila, 1941-2015 [Browse]
• Rambarran, Shara [Browse]

Series

Oxford handbooks [More in this series]

Notes

Series statement from dust jacket.

Bibliographic references

Includes bibliographical references and index.

Contents

• PART 1 The Pre-Digital Virtual
• "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd
• "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis
• Tom, Jerry and the Virtual Virtuoso / Sheila Whiteley
• Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver
• An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr
• PART 2 Vocaloids, Holograms and Virtual Pop Stars
• Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines
• Hatsune Miku and Japanese Virtual Idols /Rafal Zaborowski
• Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner
• "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran
• PART 3 Second Life
• Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey
• Performing Live in Second Life / Justin Gagen and Nicholas Cook
• Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience / Marco Antonio Chávez-Aguayo
• PART 4 Authorship, Creativity and Musicianship
• We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / Alon Ilsar and Charles Fairchild
• Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward
• Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Brøvig-Hanssen
• Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy
• Virtual Bands: Recording Music Under the Big Top / David Tough
• PART 5 Communities and the World-Wide-Web
• "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan
• The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett
• Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien
• Stone Tapes: Ghost Box, Nostalgia, and Post-War England / David Pattie
• From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer
• Bands in Virtual Spaces, Social Networking and Masculinity / Danijela Bogdanovic
• PART 6 Sonic Environments and Musical Experience
• From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett
• App Music / Jeremy Wade Morris
• Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitajärvi-Tiekso
• Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo
• Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan
• PART 7 Participatory Culture and Fundraising
• Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / Mark Thorley
• With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato
• Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin Williams and Ross Wilson
• PART 8 Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr
• PART 9 Glossary / Edited by Shara Rambarran
• Index.

Show 38 more Contents items

Other title(s)

• Handbook of music and virtuality
• Music and virtuality

ISBN

• 9780199321285 ((hardcover ; : alk. paper))
• 0199321280 ((hardcover ; : alk. paper))

LCCN

2015022089

OCLC

910993819

Statement on responsible collection description

Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...