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Avant-garde museology / Arseny Zhilyaev, editor ; published in collaboration with V-A-C Foundation.
Format
Book
Language
English
Translated from
Russian
Published/Created
New York, NY : e-flux, [2015]
Minneapolis : Distributed by the University of Minnesota Press.
©2015
Description
628 pages : illustrations ; 20 cm
Details
Subject(s)
Museums
—
Russia (Federation)
—
History
[Browse]
Avant-garde (Aesthetics)
—
Russia (Federation)
—
History
[Browse]
Artists and museums
—
Russia (Federation)
—
History
[Browse]
Modernism (Art)
—
Russia (Federation).
[Browse]
Modernism (Art)
—
Russia
[Browse]
Art and history
—
Russia (Federation).
[Browse]
Art and history
—
Russia
[Browse]
Editor
Zhili︠a︡ev, Arseniĭ, 1984-
[Browse]
Publisher
V-A-C Foundation
[Browse]
Series
e-flux classics
[More in this series]
Summary note
The museum of contemporary art might very well be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiements, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experiementation. This book presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, and others - many translated from the Russian for the first time.
Bibliographic references
Includes bibliographical references.
Language note
Translated from the Russian.
ISBN
9780816699193
0816699194
OCLC
917376497
Statement on responsible collection description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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Avant-garde museology / Arseny Zhilyaev, editor.
id
9995254873506421
Avant-garde museology / Arseny Zhilyaev, editor.
id
99125348459706421