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Princeton University Library Catalog
나쁜남자 [videorecording] = Bad guy / 각본, 감독, 김기덕 ; 제작, LJ Film (주).
Nappŭn namja [videorecording] = Bad guy / kakpon, kamdok, Kim Ki-dŏk , chejak, LJ Film (chu).
[Hong Kong] : Winson Entertainment Distribution Ltd., 2002.
1 videodisc (100 min.) : sd., col. ; 4 3/4 in.
Kim, Ki-dŏk, 1960-2020
Cho, Chae-hyŏn, 1965-
Eljei Pʻillŭm (Firm)
Winson Entertainment Distribution Ltd
Library of Congress genre(s)
"Han-gi, a thug in a brothel, falls for a college girl Sun-hwa whom he came across in the street. As she totally ignores him, Han-gi kisses her in a fit of anger. What he gets from her is only an insult. Soon, Sun-hwa falls a victim to Han-gi's plot and she becomes a prostitute in his area to repay the money she owes. Han-gi ruins her life to his level and he keeps watching her in a secret place hidden at the other side of a mirror in her room. She gets used to the life as a prostitute. She finds out it was Han-gi who ruined her life but she also knows it is too late to get out of the situation. While she gradually falls into the desperate ordinary life, Han-gi is torn apart between an obsession for her and a sense of guilt. In the middle of love, hatred, compassion and despair, they become one and face their destinies"--Korean Movie Database (KMDb).
Originally released as a motion picture in 2001.
Special features include making of Bad guy, theatrical trailer, commentary, crew interviews, photo gallery.
Chejak, Yi Sŭng-jae ; ch'waryŏng, Hwang Ch'ŏr-hyŏn ; p'yŏnjip, Ham Sŭng-wŏn ; ŭmak, Pak Ho-jun.
제작, 이승재 ; 촬영, 황철현, 편집, 함승원 ; 음악, 박호준.
Ch'ŏngsonyŏn kwallam pulga.
DVD; NTSC; region all; anamorphic widescreen 16:9; Dolby digital 5.1 surround; single layer.
Cho Chae-hyŏn, Sŏ Wŏn, Kim Yun-t'ae, Ch'oe Tŏng-mun.
조재현, 서원, 김윤태, 최덕문.
In Korean or Cantonese with optional subtitles in English, traditional Chinese, or simplified Chinese.
Chinese title on disk
Lan ni qing ren
International Article Number
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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