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Georgie Auld, 1940-1945 [sound recording].
Author
Auld, Georgie, 1919-1990
[Browse]
Format
Audio
Language
English
Published/Created
[France] : Classics Records, 2003.
Description
1 sound disc (70 min.) : digital ; 4 3/4 in.
Details
Subject(s)
Big band music
[Browse]
Jazz
—
1931-1940
[Browse]
Jazz
—
1941-1950
[Browse]
Jazz vocals
[Browse]
Related name
Auld-Hawkins-Webster Saxtet
[Browse]
Library of Congress genre(s)
Jazz
[Browse]
Series
Classics chronological series ; 1322.
[More in this series]
The chronogical [sic] classics
Notes
Compact disc; all selections previously released.
Notes and discography by Anatol Schenker ([7] p. : ill.) with title "The chronogical [sic] Georgie Auld 1940-1945 with Coleman Hawkins, Dizzy Gillespie, Ben Webster, Charlie Shavers, Howard McGhee, Trummy Young, Erroll Garner, Tony Pastor ..." inserted in container.
Time and place of event
Recorded in New York, January 1940, February 1940, May 17, 1944, May 22, 1944, February 7, 1945, March 23 or 28, 1945.
Participant(s)/Performer(s)
Georgie Auld, saxophone ; with various supporting artists ; Georgie Auld and his Orchestra (1-8, 13-24) ; Auld-Hawkins-Webster Saxtet (9-12).
Contents
Angel (2:48)
I want my Mama (2:48)
This is romance (2:56)
Juke box jump (2:50)
Shake down the stars (3:01)
Imagination (2:26)
With the wind and the rain in your hair (2:29)
Sweet Sue, just you (3:00)
Pick-up boys (2:59)
Porgy (3:00)
Uptown lullaby (3:17)
Salt peanuts (2:53)
Sweet and lovely (3:08)
Concerto for tenor (3:13)
Taps Miller (3:08)
I can't get started, Part 1 (2:03)
I can't get started, Part 2 (2:22)
Georgie Porgie (2:51)
Sweetheart of all my dreams (3:01)
I fall in love too easily (2:53)
In the middle (3:10)
Lover man (3:19)
Co-pilot (2:47)
I'll never be the same (2:54). - Mosquito knees (5:21)
Pennies from heaven (5:07)
Move (6:02).
Show 23 more Contents items
Source acquisition
Bob Rickles Jazz Collection donated by Doris Rickles.
Publisher no.
1322
OCLC
54887773
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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