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America and the tintype / Steven Kasher ; with essays by Geoffrey Batchen and Karen Halttunen.
Author
Kasher, Steven
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Format
Book
Language
English
Published/Created
New York : International Center of Photography ; Göttingen : Steidl, ©2008.
Description
267 pages : chiefly illustrations (some color), portraits ; 26 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Marquand Library - Photography
TR375 .K27 2008
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Details
Subject(s)
Tintype
—
United States
—
History
—
Exhibitions
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Portrait photography
—
United States
—
History
—
Exhibitions
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Related name
International Center of Photography
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Batchen, Geoffrey
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Halttunen, Karen, 1951-
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Library of Congress genre(s)
Exhibition catalogs
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Getty AAT genre
exhibition catalogs
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Summary note
One of the most intriguing and little studied forms of nineteenth-century photography is the tintype. Introduced in 1856 as a low-cost alternative to the daguerreotype and the albumen print, the tintype was widely marketed from the 1860s through the first decades of the twentieth century as the most popular photographic medium. The picture-making preference of the people, it was almost never used for celebrity portraiture: It was affordable, portable, unique and available almost everywhere. Because of its ubiquity, the tintype provides a startlingly candid record of the political upheavals that rocked the four decades following the American Civil War-and the personal anxieties they induced. As this book's author, Steven Kasher, argues, the tintype studio became a kind of performance space in which sitters could act out their personal identities. Sitters brought to the tintype studio not just their family and friends but also the tools of their trade, costumes, toys, stuffed animals and other such props. Often they would enact stereotypes and fantasies that reflected or challenged conventional gender, race and class roles. Surprisingly, the tintype was almost exclusively an American phenomenon, rarely used in other countries, and this book demonstrates how this modest form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early Modern era. Featured in this book are more than 200 remarkable examples of tintypes, mostly drawn from the Permanent Collection of the International Center of Photography in New York.
Notes
T.p. from p. [11]; edition information from colophon.
Published in conjunction with the exhibition, "America and the Tintype," organized by Steven Kasher and Brian Wallis for the International Center of Photography, New York, and held September 19, 2008-January 4, 2009.
Bibliographic references
Includes bibliographical references (p. 264-265).
Contents
Director's foreword and acknowledgments
The art of business / Geoffrey Batchen
American tintype portraits and the decline of Victorian middle-class propriety / Karen Halttunen
Democratic visages: the tintype and America / Steven Kasher.
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ISBN
9783865216861 ((hbk.))
3865216862 ((hbk.))
OCLC
298998574
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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