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The four symphonies ; Overture, scherzo and finale, op. 52 ; Overture : Julius Caesar / Schumann.
Author
Schumann, Robert, 1810-1856
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Uniform title
Symphonies
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Format
Audio
Language
No linguistic content
Published/Created
New York, N.Y. : London, [1971]
Description
3 audio discs : analog, 33 1/3 rpm, stereo ; 12 in.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Mendel Music Library - Remote Storage (ReCAP): Mendel Music Library Use Only
LS- 1815
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Details
Subject(s)
Symphonies
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Overtures
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Performer
Wiener Philharmoniker
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Conductor
Solti, Georg, 1912-1997
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Library of Congress genre(s)
Overtures
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Symphonies
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Contains
Schumann, Robert, 1810-1856.
Ouverture, Scherzo und Finale,
orchestra,
op. 52,
E major.
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Schumann, Robert, 1810-1856.
Ouverture zu Shakespeare's Julius Cäsar.
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Notes
London: CSA 2310 (CS 6696, CS 6697, CS 6582).
Title from container.
Manual sequence.
Program notes by Paul Hamburger and James Lyons ([4] p.) inserted in container.
Participant(s)/Performer(s)
Vienna Philharmonic Orchestra; Georg Solti; conductor.
Contents
Overture, scherzo and finale, op. 52. Overture: Andante con moto ; Allegro (5:40) ; Scherzo (3:35) ; Finale: Allegro molto vivace (6:00)
Symphony no. 1 in B flat major, op. 38 (Spring). Andante un poco maestoso ; Allegro molto vivace (10:55) ; Larghetto ; Scherzo, molto vivace (12:10) ; Allegro animato e grazioso (7:55)
Symphony no. 3 in E flat, op. 97 (Rhenish). Lebhaft (9:10) ; Scherzo ; Sehr mässig (6:30) ; Nicht schnell (5:00) ; Feierlich (6:30) ; Lebhaft (5:40)
Symphony no. 4 in D minor, op. 120. Ziemlich langsam ; Lebhaft ; Romanze ; Ziemlich langsam ; Scherzo ; Lebhaft ; Langsam ; Lebhaft (29:20)
Julius Caesar. Overture (7:30)
Symphony no. 2 in C, op. 61. Sostenuto assai ; Allegro ma non troppo (11:40) ; Scherzo: Allegro vivace (6:20) ; Adagio espressivo (10:10) ; Allegro molto vivace (7:30).
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Other title(s)
Julius Caesar.
Publisher no.
CSA 2310
CS 6696
CS 6697
CS 6582
LCCN
73764395
OCLC
5882692
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Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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