<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Change : the new thing and modern jazz</dc:title><dc:creator>Coleman, Kwami</dc:creator><dc:language>English</dc:language><dc:format>Book</dc:format><dc:description>By 1960, musicians, critics, record buyers, and club patrons in New York City agreed that a "new thing" in jazz had arrived. That new thing was what we in the twenty-first century call free jazz, and it represented a significant change within and, for some, a dramatic departure from what was commonly understood as modern jazz. Author Kwami Coleman integrates musical analyses of key recordings, musician interviews, periodicals, and rare archival sources to tell the story of jazz's emergent avant-garde, providing readers with ways to listen to and understand this innovative and disruptive music.</dc:description><dc:date>2025</dc:date><dc:publisher>New York, NY : Oxford University Press, [2025]</dc:publisher><dc:publisher>©2025</dc:publisher><dc:subject>Free jazz—History and criticism</dc:subject><dc:subject>Jazz—1961-1970—History and criticism</dc:subject><dc:subject>Jazz—1951-1960—History and criticism</dc:subject><dc:subject>Jazz—Political aspects—History—20th century</dc:subject><dc:type>Book</dc:type><dc:identifier>9780197780114</dc:identifier><dc:identifier>9780197780121</dc:identifier><dc:identifier>9780197780107</dc:identifier></oai_dc:dc>