"This book examines the transnational phenomenon of Japonisme in the exoticist and 'auto-exoticist' literature of the late nineteenth century. Focusing on the way the in which reciprocal processes of transcultural acquisition - by Japan and from Japan - were portrayed in the medium of literature, the book illustrates how literary Japonisme and the wider processes whereby Japan, with its alien exotic culture and unique refined aestheticism, was absorbing Western civilisation in its own way in the late nineteenth century at the same time as the phenomenon of Japonisme was occurring in Western fine arts, who were inspired by traditional Japanese artistic practices. Specifically, the book focuses on the literary works of Lafcadio Hearn and Pierre Loti, who travelled from France and America respectively to Japan, and Mori Ōgai and Natsume Sōseki, who in turn went respectively to Germany and England from Japan. Exploring the eclectic hybridity of Japan's modernization during the late nineteenth century, this book will appeal to students and scholars of Japanese Studies, Postcolonial Studies and Comparative Literature"-- Provided by publisher.
Bibliographic references
Includes bibliographical references and index.
Contents
Introduction : Japonisme and 'eclectic hybridity'
Pierre Loti's novel Madame Chrysanthème (1887) on Japan's vulnerability
Mori Ogai's first modern Japanese novella The dancing girl (1890) : a German-Japanese parable of Meiji modernization
Natsume Soseki's fictional encounter with Britain's historical ghosts in 'The tower of London'
Lafcadio Hearn's exoticizing modernist construction of Japan in Kokoro
Anglo-Irish ghost stories in Japan : Lafcadio Hearn's Kwaidan.
ISBN
9781032545950
103254595X (hardcover)
9781032545981 (paperback)
1032545984 (paperback)
LCCN
2024028090
OCLC
1459140004
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