Details

Subject(s)

• Violence in literature [Browse]
• Violence in motion pictures [Browse]
• Violence in art [Browse]
• German literature—20th century—History and criticism [Browse]
• Motion pictures—Germany—History—20th century [Browse]
• Art, German—20th century—History and criticism [Browse]

Editor

• Bielby, Clare, 1981- [Browse]
• Davies, Mererid Puw [Browse]

Series

• Studies in German literature, linguistics, and culture ; Volume 238. [More in this series]
• Studies in German Literature Linguistics and Culture Series ; Volume 238

Summary note

Explores the significance of postwar German representations of violence in other places and times.

Bibliographic references

Includes bibliographical references and index.

Source of description

• Description based on publisher supplied metadata and other sources.
• Description based on print version record.

Contents

• Front Cover
• Contents
• Illustrations
• Acknowledgments
• Introduction
• 1: Projecting Violence Elsewhere: Remembering Conflict-Related Sexual Violence in Cold War Germany
• 2: Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West Germany
• 3: Images as Weapons: DEFA, Studio H&
• S, and the Global Cold War
• 4: KriegsErklärung (Declaration of War): Volker Braun's Cold War Camera
• 5: The Vietnam Veteran in Anna Seghers's Steinzeit (Stone Age, 1975)
• 6: "So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There": Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR
• 7: Narrating Violent Agency Elsewhere in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996)
• 8: Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11
• Selected Bibliography
• Contributors
• Index.

Show 14 more Contents items

ISBN

1-80010-252-6

Doi

• 10.1515/9781800102521

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