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020    9781478030690 |q(paperback)
020    1478030690
020    9781478026433 |q(hardcover)
020    147802643X
020     |z9781478059677 |q(ebook)
035    (OCoLC)on1409593276
037    W053904
040    NcD/DLC |beng |erda |cDLC |dOCLCO |dYDX |dBDX |dNDD |dIAK |dIG#
042    pcc
050 00 NX180.E8 |bS78 2024
082 00 306.4/709047 |223/eng/20240506
084    ART015110PER000000 |2bisacsh
100 1  Stutterheim, Sydney, |d1984- |eauthor.
245 10 Artist, audience, accomplice : |bethics and authorship in art of the 1970s and 1980s / |cSydney Stutterheim.
264  1 Durham : |bDuke University Press, |c2024.
300    viii, 280 pages : |billustrations ; |c23 cm
336    text |btxt |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
504    Includes bibliographical references and index.
505 0  Introduction -- Abettors -- Partners -- Assistants -- Preservers -- Conclusion.
520    "Artist, Audience, Accomplice complicates traditional notions of artists' authorship by introducing the role of the accomplice. Accomplices, particularly in the art of the 1970s and 1980s, are the unseen figures essential to creation-the studio assistants, documentarians, romantic partners, and institutional staff-who act as practice audiences, witnesses, and semi-creators. Sydney Stutterheim centers her argument in four case studies devoted to Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady. These studies draw on archival research, original interviews, and secondary literature to demonstrate how each artist deliberately used accomplices to engage contemporary issues in their work. The use of accomplices distributes ethical responsibility among figures other than the individual artist, raising questions related to the ethics of participation and the responsibility of the artist-questions which are particularly visible in legislation and court cases of the period regarding "accomplice liability," the legal definition of the abettor, and lawsuits involving artists. Arguing that the author's authority is not sovereign, total, and exclusive, but instead fluid and relational, Stutterheim employs issues of labor and ethics to reimagine artistic agency, aesthetic property, and authorship"-- |cProvided by publisher.
600 10 Burden, Chris, |d1946-2015.
600 10 Wilke, Hannah.
600 10 Kippenberger, Martin, |d1953-1997.
600 10 O'Grady, Lorraine.
650  0 Arts and morals.
650  0 Arts and society.
650  0 Authorship.
650  0 Audiences in art.
650  6 Arts et morale.
650  6 Arts et société.
650  6 Art d'écrire.
650  7 authorship. |2aat
650  7 ART / History / Contemporary (1945-) |2bisacsh
650  7 PERFORMING ARTS / General. |2bisacsh
776 08  |iOnline version:Stutterheim, Sydney, 1984- |tArtist, audience, accomplice. |dDurham : Duke University Press, 2024 |z9781478059677 |w(DLC)  2023046398
902    000088300 |wcopy |120241024095229.0
914    (OCoLC)on1409593276 |bOCoLC |cmatch |d20241106 |eprocessed |f1409593276
980    240906 |e25.16 |f336376