LEADER 01750nam a2200409 i 4500001 99131256806806421 005 20240831124737.0 006 m o d | 007 cr#cnu|||||||| 008 240831s2022 onc o 001 0 eng d 020 1-4875-0932-4 020 1-4875-0931-6 024 7 10.3138/9781487509316 |2doi 035 (MiAaPQ)EBC6914847 035 (Au-PeEL)EBL6914847 035 (CKB)21392042900041 035 (DE-B1597)618928 035 (DE-B1597)9781487509316 035 (MdBmJHUP)musev2_109008 035 (EXLCZ)9921392042900041 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 044 onc |cCA-ON 050 4 BV150 |b.I543 2022 072 7 LIT004280 |2bisacsh 082 0 246 |223 084 LH 65900 |qDE-14/sred |2rvk |0(DE-625)rvk/94566: 100 1 Infante, Catherine, |eauthor. 245 14 The Arts of Encounter : |bChristians, Muslims, and the Power of Images in Early Modern Spain / |cCatherine Infante. 250 First edition. 264 1 Toronto, Ontario : |bUniversity of Toronto Press, |c[2022] 264 4 |c©2022 300 1 online resource (197 pages) 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 1 Toronto Iberic Series 588 Description based on publisher supplied metadata and other sources. 505 0 Moriscos between Cross and Crescent -- Text against Image in Moriscos' Literary Culture -- Granada and the Poetics of Sacred Space -- Marian Images of Conversion -- Images of Mary on the Battlefield -- Captive Images and Forged Identities. 520 "Images of crosses, the Virgin Mary, and Christ, among other devotional objects, pervaded nearly every aspect of public and private life in early modern Spain, but they were also a point of contention between Christian and Muslim cultures. Writers of narrative fiction, theatre, and poetry were attuned to these debates, and religious imagery played an important role in how early modern writers chose to portray relations between Christians and Muslims. Drawing on a wide variety of literary genres as well as other textual and visual sources, including historical chronicles, travel memoirs, captives' testimonies, and paintings, Catherine Infante traces the references to religious visual culture and the responses they incited in cross-confessional negotiations. She reveals some of the anxieties about what it meant to belong to different ethnic or religious communities and how these communities interacted with each other within the fluid boundaries of the Mediterranean world. Focusing on the religious image as a point of contact between individuals of diverse beliefs and practices, The Arts of Encounter presents an original and necessary perspective on how Christian-Muslim relations were perceived and conveyed in print."-- |cProvided by publisher. 588 Description based on print version record. 500 Includes index. 650 0 Christian art and symbolism. 650 0 Christianity and other religions |xIslam. 650 0 Religion and culture. 650 0 Spanish literature |yClassical period, 1500-1700 |xHistory and criticism. 776 08 |iPrint version:Infante, Catherine |tThe Arts of Encounter |dToronto : University of Toronto Press,c2022 |z9781487509309 830 0 Toronto Iberic. 906 BOOK