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The Music of Physics : An Introduction to the Harmonies of Nature / George N. Gibson.
Author
Gibson, George N.
[Browse]
Format
Book
Language
English
Εdition
First edition.
Published/Created
Singapore : Jenny Stanford Publishing, [2024]
©2024
Description
1 online resource (318 pages)
Details
Subject(s)
Music
—
Acoustics and physics
[Browse]
Musical instruments
—
Construction
[Browse]
Summary note
This textbook is written for a very specific purpose and audience: It serves as a breadth requirement for a general education program at the college level for non-science majors. It is intended to satisfy a science-and-technology, quantitative-reasoning, and, optionally, a lab requirement.
Bibliographic references
Includes bibliographical references and index.
Source of description
Description based on publisher supplied metadata and other sources.
Description based on print version record.
Contents
Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
Preface
Introduction: Purpose and Scope of the Textbook
1. Waves and the Language of Physics
1.1 Pitch, Loudness, Timbre
1.2 Units, Graphs, Formulas
1.3 Dependencies: Qualitative and Quantitative
1.4 Problems
2. Melodic Instruments and the Origins of Music and Science
2.1 Neanderthal Flutes and Greek Lyres
2.2 Pythagorean Intervals
2.3 Vibrating Strings
2.4 Pythagorean Scales
2.5 Space-Time Connection
2.6 Air Columns and Boundary Conditions
2.7 Music of the Spheres and the Lessons of Pythagoras
2.8 New Scales and the Development of Western Harmony
2.9 Problems
3. Non-Melodic Instruments: Non-Harmonic and 2D Systems
3.1 Vibrating Bars and Non-linear Dependencies
3.2 Overtone Series, Addition of Waves, and Tone Quality
3.3 Dimensional Acoustic Cavities
3.4 Cavity Mode Diagrams
3.5 Spectroscopy, Modern Physics, and Music of the Spheres
3.6 Problems
4. Waves and Interference
4.1 General Properties of Waves
4.2 Constructive and Destructive Interference
4.3 Interference in Reflections
4.4 Interference Patterns
4.5 Interference in Time: Beats
4.6 Light Waves
4.7 Problems
5. Applications: Feedback and the Doppler Shift
5.1 Gain and Feedback
5.2 Applications of Feedback
5.3 The Doppler Effect
5.4 Sonic Booms and Shock Waves
5.5 Problems
6. Psychoacoustics: Consonance and Dissonance
6.1 Structure of the Ear and Pitch Perception
6.2 Critical Bandwidth and Just Noticeable Difference
6.3 Pure Tones, Consonance and Dissonance
6.4 Complex Tones, Fourier Analysis, and the Missing Fundamental
6.5 Difference Tones
6.6 Problems
Appendix: Companion Laboratories for The Music of Physics
Bibliography
Index.
Show 51 more Contents items
ISBN
1-04-003655-4
1-04-003654-6
1-003-48481-6
OCLC
1439598340
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