Details

Subject(s)

• Buildings—Design and construction [Browse]
• Graphic arts [Browse]
• Building information modeling [Browse]

Editor

• Hermida González, Luis [Browse]

Series

• Springer Series in Design and Innovation, 44 [More in this series]
• Springer Series in Design and Innovation, 2661-8192 ; 44 [More in this series]

Summary note

This book reports on several advances in architectural graphics, with a special emphasis on education, research and heritage. It gathers a selection of contributions to the 20th International Congress of Architectural Graphic Expression, EGA 2024, held on May 27-29, 2024, in Porto, Portugal, with the motto: "Graphic Horizons". This is the third volume of a 3-volume set.

Contents

• Intro
• Preface
• Organization
• Contents
• Graphics for Knowledge
• Beyond Architectural Representation: A Contemporary Gaze Around Jujol's Work
• 1 Introduction
• 2 Around Narrative and Sensory
• 3 Metropol Theatre in Tarragona
• 4 The "Silent" Figure of Jujol
• 5 Final Consideration
• References
• The Dissolution of Limits Through Photography. Transparency Strategies in the Work of Alejandro de la Sota and Alberto Campo Baeza
• 2 Discussion
• 3 Conclusions
• Engelbert Kaempfer's 17th Century Plan of the Fortress of Qeshm: Translation and Insights for a Reassessment of the Fortress of Hormuz
• 1 Fortresses of Portuguese Influence - Hormuz and Qeshm
• 2 Engelbert Kaempfer's Plan of the Fortress of Qeshm
• 2.1 Translation of Legend and Notes
• 2.2 Measurements and Space Allocation Between Plan and Perspective
• 3 Reassessing the Fortress of Hormuz Through Erédia's Plan
• 4 Final Considerations
• Alvaro Siza. The Architect Sculptor of Angels
• 2.1 House of Chá Da Boa-Nova (Leça Da Palmeira, 1958-1963)
• 2.2 Piscina das Marés (Leça da Palmeira, 1961-1966)
• 2.3 Facultade de Arquitectura (Porto, 1987-1994)
• 2.4 Centre for Contemporary Art (Santiago de Compostela, 1988-1993)
• 2.5 Bonjour Tristesse (Berlin, 1980-2016)
• 2.6 Portugal Expo '98 Pavilion (Lisbon, 1995-1997)
• The Chromatic Values of Painted Façades as Characteristic Elements of Historic Genoese Architecture: The Case of Palazzo San Giorgio
• 1 Introduction (G.P.)
• 1.1 Research Methodology (G.P.)
• 2 Figurative Art and Architecture in Genoa (F.S.)
• 3 Historical and Architectural Evolution of the Building (M.S.)
• 4 Conclusions (G.P.)
• References.
• Contributions to the History of Representation in Sicily in the First Half of the 19th Century: Sebastiano Ittar's Architectural Drawings for Catania
• 1 Biographical Notes
• 2 From Survey to Project: New Types of Civil Architecture Among Drawings from the Fondo Ittar
• 2.1 Representing a Vision: Some Examples
• The Vault of the So-Called Serapeum: An Ellipsoidal Geometry at Hadrian's Villa
• 2 Methodology and Results
• Architectural Archives: Graphic Legacies and Digital Divulgations
• 2 The Archive of the Architect Antonio Cataldi Madonna
• 3 The Project for the Chamber of Commerce, Industry, Crafts and Agriculture of Pescara
• 4 Analysis of the Project Drawings
• 5 From the Original Blueprints Through the Survey of the Built Project
• 6 Conclusions
• An Illusory Space for Prayer. The Ancient Private Chapel of the University Palace in Genoa
• 2 An Environment for Prayer
• 2.1 The Ancient Jesuit College
• 2.2 A Place of Prayer for the Fathers
• 3 The Author, The Reliefs and The Decoration
• 3.1 A Painter-Architect
• 3.2 Decorations for the Construction of an Illusory Architecture
• 3.3 The Integration of the Arts
• 4 Conclusion
• Symbolic Cubes. Cabrero-Bill Analogies
• 1 Foreword
• 2 Cabrero and the Influence of Bill
• 3 Conclusion
• Richard Neutra and Marcel Breuer: Their Experimental Dwellings Through Drawing
• 2 From the West Coast to the East Coast of the United States
• 3 The Experimentation of Richard Neutra and Marcel Breuer
• 3.1 Richard Neutra and the VDL House
• 3.2 Marcel Breuer and the House in the Museum Garden
• 4 Conclusions
• Ornated Ceilings from Antonio Cavallini's Works
• 1 Introduction.
• 2 Walls and Ceilings Ornamentation
• 3 Fine Arts Academies
• 4 The Artistic Catalog
• Antonio Cavallini's Case
• 5 Conclusion
• The Architecture of the Missions in the Sierra Gorda of Querétaro, México
• 2 Methodology
• 3 Results
• Chromatic Analysis of the Palace of Calatayud Pavements and Its Application in Design
• 2.1 Focus of the Work
• 2.2 Data Collection
• 2.3 Chromatic Cards and Patterns Elaboration
• 4 Nolla Ceramics as Design Reference
• 5 Conclusions
• Depicting the Uncertain in Virtual Reconstructions of Architectural Heritage
• 2 Background
• 3 Discussion
• 3.1 Historical-Archaeological Evidence Scale + Reconstructive Units (UR)
• 3.2 Extended Matrix (EM)
• An Analysis of Knowledge Production in Architectural Graphic Ideation Applied to Railway Architecture
• 2 Ink and Iron: The Evolution of Architectural Graphic Ideation in Railway Design
• 3 The Architectural Graphic Ideation on the New Urban Scope
• 4 From Concept to Creation: The Ideation Journey of Portuguese Railway Architecture
• 5 The Influence of Political Ideals on Railway Architectural Expression
• 6 Conclusions and Discussions
• 6.1 Open Discussion: Railway Modernist Plain Architecture?
• Projecting the Huge: Juvarra's Centralised Proposals for the New Duomo in Torino
• 2 Objectives and Methodology
• 3 Drawings: Systems, Layouts and Annotations
• 4 Size and Geometry
• 5 Form and Space
• The Project of a Silo Under a House or a House on a Silo: Graphic Research on the Silo of the Nasrid-Origin "Casa de las Palomas" (Albaicín, Granada, Spain)
• 1 Introduction and Background.
• 2 Casa de las Palomas
• 3 The Silo Under the Casa de las Palomas
• Café del Príncipe, the Expansion of the Coliseo del Príncipe in Madrid: From Villanueva's Drawings to Mariátegui's Project
• 2 A Café Linked to the Theater
• 3 Villanueva's Drawing and Building: Beyond the Café
• 4 Mariátegui's Project
• The Representation of Portuguese Eclectic Architecture
• 2 The Developmental Stages of the Park
• 3 Graphical Analysis: Methods and Tools
• Draw, Know, Think, Create. Chronicle of a Teaching Experience
• 1 Drawing as a Tool of Knowledge
• 2 A Transversal Subject
• 3 Drawing as a Common Thread
• 3.1 To Inhabit Space
• 3.2 To Inhabit the City
• 3.3 To Built
• 3.4 To Communicate
• Composed Graphic Scales in the European Military Treatises and Manuals from the 17th to the 19th Centuries
• 2 Composed Graphic Scales: Synoptical Overview
• 2.1 Composed Graphic Scales with Alternating Transversals
• 2.2 Composed Graphic Scales with Parallel Transversals
• 3 Composed Scales in the Manuals for Educational Purposes
• 3.1 Dupain and the Measurement of Agricultural Land
• 3.2 Righini and Curioni: The Military and Engineering Schools
• Civil Architecture of Maestrazgo, the Castellote House: Graphic Processes for Its Knowledge
• 2 The House
• 3 Objectives
• 4 Process
• 5 Surveying
• 6 Conclusion
• Elements of Architecture: Between Pedagogy and Practice
• 2 Origins of the Book
• 3 Graphic Structure
• 4 Conceptual Structure
• Dynamic Cartography for Landscape Representation of Agricultural Heritage
• 1.1 Landscape and Agricultural Heritage
• 1.2 Graphic Representation of the Dynamic Character
• 2 Method
• The Conservation of the Architectural Heritage of Pueblo Español Through Travel Drawings in 1927
• 1 Genesis of Pueblo Español
• 2 Travel Drawings in 1927
• Visualizing Geometry: Examples from Some Treatises on Military Architecture Between the 15th and 17th Centuries
• 2 Geometry and Architecture
• 3 Methodology
• 4 Case Studies and Analysis
• 5 Discussion
• Drawing the Quotidian. The Emergence of Ethnographic Drawing in Japan
• 1 Introduction to the Drawing of the Everyday Life
• 2 Drawing as Ethnography
• 3 Genealogy of Ethnographic Drawing in Japan
• 4 The Scientific Drawing of Edward S. Morse
• 5 Wajirō Kon's Sketches. Fieldwork Around the Japanese Minka (1917-1923)
• 6 Wajirō Kon and a New Domesticity (1925-1931)
• 7 Conclusions
• Unveiling the Environment Through the Exploration of Optical Phenomena and Color: Navarro Baldeweg's Interior III (1975)
• 2 Optical Pieces
• 3 Interior III (1975)
• James F. Stirling: Master of Representation. Graphic Resources Used in His Bachelor's Thesis Work
• 1 Introduction: Stirling in His Formative years
• 2 The Project for Newton Aycliffe, the Oldest Post-War New Town in Northern England
• 3 Planning an Urban Center and Designing Its Buildings, Applying CIAM Principles
• 4 Graphics as a Tool in the Creation Process of the Community Center
• Digitisation and Virtualisation of Medieval Historical and Artistic Heritage. Taüll 1123 and Sigena Mágica, Two Examples of Strategies for Conserving, Disseminating and Preserving Heritage Through New Technologies
• 2 Sant Climent de Taüll.
• 3 Royal Monastery of Santa María de Sigena.

Show 164 more Contents items

ISBN

9783031575785

Doi

• 10.1007/978-3-031-57579-2

Statement on language in description

Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...