LEADER 04009nam a22003138i 4500001 99129209981706421 005 20160308101154.0 006 m|||||o||d|||||||| 007 cr|||||||||||| 008 110308s2009||||enk o ||1 0|eng|d 020 1-139-05603-4 035 (CKB)3390000000018142 035 (SSID)ssj0000509914 035 (PQKBManifestationID)11328664 035 (PQKBTitleCode)TC0000509914 035 (PQKBWorkID)10573244 035 (PQKB)10357717 035 (UkCbUP)CR9781139056038 035 (PPN)152404260 035 (EXLCZ)993390000000018142 040 UkCbUP |beng |erda |cUkCbUP 041 eng 050 4 ML195 |b.C35 2009 082 04 780.9033 |222 245 04 The Cambridge history of eighteenth-century music / |cedited by Simon P. Keefe. 264 1 Cambridge : |bCambridge University Press, |c2009. 300 1 online resource (xvii, 798 pages) : |bdigital, PDF file(s). 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 1 The Cambridge history of music 500 Title from publisher's bibliographic system (viewed on 18 Nov 2015). 505 00 |tPrelude. |tThe musical map of Europe c. 1700 / |rStephen Rose -- |tMusic for the church. |tCatholic church music in Italy, and the Spanish and Portuguese Empires / |rPaul R. Laird ; |tCatholic sacred music in Austria / |rJen-Yen Chen ; |tCatholic church music in France / |rJean-Paul C. Montagnier ; |tLutheran church music / |rStephen Rose ; |tProtestant church music in England and America / |rCharles E. Brewer -- |gInterlude. |tListening, thinking and writing / |rDavid Schroeder -- |tMusic for the theatre. |tItalian opera in the eighteenth century / |rMargaret R. Butler ; |tOpera in Paris from Campra to Rameau / |rLois Rosow ; |tAn instinct for parody and a spirit for revolution : Parisian opera, 1752-1800 / |rMichael Fend ; |tGerman opera from Reinhard Keiser to Peter Winter / |rClaudia Maurer Zenck, |gtranslated by |rAnke Caton |rSimon P. Keefe ; |tThe lure of aria, procession and spectacle : opera in eighteenth-century London / |rMichael Burden ; |tMusic theatre in Spain / |rRainer Kleinertz ; |tOpera in Sweden / |rGreger Andersson -- |gInterlude. |tPerformance in the eighteenth century / |rJohn Irving -- |tMusic for the salon and concert room. |tKeyboard music from Couperin to early Beethoven / |rRohan Stewart-Macdonald ; |tThe serenata in the eighteenth century / |rStefanie Tcharos ; |tPrivate music in public spheres : chamber cantata and song / |rBerta Joncus ; |tHandel and English oratorio / |rEva Zöllner ; |tThe overture-suite, concerto grosso, ripieno concerto, and Harmoniemusik in the eighteenth century / |rSteven Zohn ; |tConcerto of the individual / |rSimon McVeigh ; |tEighteenth-century symphonies : an unfinished dialogue / |rRichard Will ; |tThe string quartet / |rCliff Eisen -- |rPostlude. |tAcross the divide : currents of musical thought in Europe, c. 1790-1810 / |rSimon P. Keefe -- |gAppendixes. |tChronology ; |tInstitutions in major European cities ; |tPersonalia / David Black. 520 The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices. 546 English 650 0 Music |y18th century |xHistory and criticism. 700 1 Keefe, Simon P., |d1968- |eeditor. 776 08 |z1-107-64397-X 776 08 |z0-521-66319-9 830 0 Cambridge history of music. 906 BOOK