LEADER 05507cam a2200601 i 4500001 99129080693406421 005 20231214030605.0 008 211115t20222022nyua b 001 0 eng^^ 010 2021054713 019 12817725901282006741 020 9781032028972 |qhardcover 020 1032028971 |qhardcover 020 9781032028989 |qpaperback 020 103202898X |qpaperback 020 |z9781003185697 |qelectronic book 035 (OCoLC)on1282594999 037 W039594 040 DLC |beng |erda |cDLC |dOCLCF |dOCLCO |dTFW |dYDX |dOCL |dPLL |dOCLCO 042 pcc 050 00 N72.S6 |bP68 2022 082 00 701/.03 |223/eng/20220224 245 00 Posthumous art, law and the art market : |bthe afterlife of art / |cedited by Sharon Hecker and Peter J. Karol. 264 1 New York : |bRoutledge, Taylor & Francis Group, |c2022. 264 4 |c©2022 300 xx, 230 pages : |billustrations (some color) ; |c26 cm. 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Routledge research in art history 504 Includes bibliographical references and index. 505 00 |gList of figures -- |gList of contributors -- |gAcknowledgments -- |tIntroduction / |rSharon Hecker and Peter J. Karol -- |gPart one : |tStage setting -- |g1. |tPosthumous casts in the twentieth century : an overview of the wide range of situations / |rÉlisabeth Lebon and Ève Turbat, translated by Cole Swensen -- |g2. |tThe challenges of posthumous moral rights / |rGuy A. Rub -- |g3. |tPosthumous editions : does the market value the presence of the artist? / |rSharon Chrust and Amy R. Jebrine -- |gPart two : |tIntentions and (mis)understandings -- |g4. |tBehind the scenes : legitimation and marketing strategies of Brancusi's posthumous bronze casts / |rAlexandra Parigoris -- |g5. |tDead-hand guidance : a preferable testamentary approach for artists / |rEva E. Subotnik -- |g6. |tCollaborations in absentia : an artist's/founder's view of the posthumous cast / |rAndrew Lacey -- |gPart three : |tMuseum stewardship -- |g7. |tCondition issues / |rMartha Buskirk -- |g8. |tThe cost of decommissioning / |rPeter J. Karol -- |g9. |tPatterns on Maya's veil : the distinction between "lifetime" and "posthumous" casts as fetish / |rArie Hartog, translated from German by Deborah Shannon -- |gPart four : |tUnruly afterlives -- |g10. |tForged of paper : the busy afterlives of Xuande incense burners / |rBruce Rusk -- |g11. |tUnique forms & different versions : cataloging Boccioni's sculptures / |rRosalind McKever -- |g12. |tMedardo Ross's The Emperor Vitellius : an artist's posthumous copy (of a copy) of an (unknown) original / |rSharon Hecker -- |g13. |tAI, IP, and artistic legacies / |rAndrew Gilden and Taylor Hurwitz -- |g14. |tAn economic strategy to exploit the rent of notoriety in an emblematic case study : François Pompon / |rNathalie Moureau and Dominique Sagot-Duvauroux -- |gPart five : |tContinuity and community -- |g15. |tReproductions of Michelangelo Buonarroti's Vatican Pietà as experiential mediators / |rLisa M. Rafanelli -- |g16. |tLineages and the posthumous lives of Chinese paintings / |rMichael J. Hatch -- |g17. |tIndigeneity and the posthumous condition / |rLara M. Evans and Mique'l Dangeli -- |gEpilogue : |tPersonal reflections on NFTs & the death of art / |rBrian L. Frye -- |gIndex. 520 "This book takes an interdisciplinary, transnational and cross-cultural approach to reflect on, critically examine, and challenge the surprisingly robust practice of making art after death in an artist's name, through the lenses of scholars from the fields of art history, economics and law, as well as practicing artists. Works of art conceived as multiples, such as sculptures, etchings, prints, photographs and conceptual art, can be - and often are - remade from original models and plans long after the artist has passed. Recent sales have suggested a growing market embrace of posthumous works, contemporaneous with questioning on the part of art history. Legal norms seem unready for this surge in posthumous production and are beset by conflict across jurisdictions. Non-Western approaches to posthumous art, from Chinese emulations of non-living artists to Native American performances, take into account rituals of generational passage and emotional aspects foreign to Western ideas. The book will be of interest to scholars working in art history, the art market, art law, art management, museum studies, and economics"-- |cProvided by publisher. 650 0 Art and society. 650 0 Posthumous art. 650 0 Authenticity (Philosophy) 650 0 Law and art. 650 0 Art |xEconomic aspects. 650 6 Art et société. 650 6 Authenticité (Philosophie) 650 6 Droit et art. 650 6 Art |xAspect économique. 650 7 Posthumous art |2fast 650 7 Art and society |2fast 650 7 Art |xEconomic aspects |2fast 650 7 Authenticity (Philosophy) |2fast 650 7 Law and art |2fast 700 1 Hecker, Sharon, |eeditor. 700 1 Karol, Peter J., |eeditor. 776 08 |iOnline version: |tPosthumous art, law and the art market |dNew York : Routledge, 2022 |z9781003185697 |w(DLC) 2021054714 830 0 Routledge research in art history 902 000088300 |wcopy |120231208145551.0 914 (OCoLC)on1282594999 |bOCoLC |cmatch |d20231213 |eprocessed |f1282594999 980 230831 |e170.00 |f333137