LEADER 03475cam a2200565 i 4500001 99127975978306421 005 20240502073521.0 008 220322t20232023onca b 001 0 eng^^ 010 2023275729 019 1304354898130436022313043979101304400899130446314013044635461304816042 020 9781487543785 |qhardcover 020 1487543786 |qhardcover 020 9781487545277 |qpaperback 020 1487545274 |qpaperback 035 (OCoLC)on1304815537 037 W044132 040 NLC |beng |erda |cYDX |dBDX |dNLC |dOCLCF |dNLC |dYDX |dCMA |dDLC |dNLC |dUND |dOCLCO |dNjP 042 lac 050 4 NE2062.5.G6 |bA47 2023 082 0 769.92 |223 084 cci1icc |2lacc 100 1 Iarocci, Michael P., |eauthor. 245 14 The art of witnessing : |bFrancisco de Goya's Disasters of war / |cMichael Iarocci. 246 30 Francisco de Goya's Disasters of war 264 1 Toronto ;Buffalo ;London : |bUniversity of Toronto Press, |c[2023] 264 4 |c©2023 300 ix, 281 pages : |billustrations ; |c24 cm. 336 text |btxt |2rdacontent 336 still image |bsti |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Toronto Iberic ; |v77 504 Includes bibliographical references and index. 520 "Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya's renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya's print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya's artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war's atrocities was central to Goya's project, the lasting power of the print series stems from the artist's complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya's masterpiece extends far beyond conventional understandings of visual testimony."-- |cProvided by publisher. 530 Issued also in electronic format. 600 10 Goya, Francisco, |d1746-1828. |tDisasters of war. 600 10 Goya, Francisco, |d1746-1828 |xCriticism and interpretation. 650 0 War in art. 600 16 Goya, Francisco, |d1746-1828. |tDisasters of war. 650 6 Guerre dans l'art. 600 17 Goya, Francisco, |d1746-1828 |2fast 630 07 Disasters of war (Goya, Francisco) |2fast 650 7 War in art |2fast 655 7 Criticism, interpretation, etc. |2fast 700 12 |iContainer of (work):Goya, Francisco, |d1746-1828. |tPrints. |kSelections 776 08 |iOnline version:Iarocci, Michael P. |tArt of witnessing. |dToronto ; Buffalo ; London : University of Toronto Press, 2022 |z1487543794 |z9781487543792 |w(OCoLC)1337862230 830 0 Toronto Iberic ; |v77. 902 000088300 |wcopy |120230926135111.0 914 (OCoLC)on1304815537 |bOCoLC |cmatch |d20240501 |eprocessed |f1304815537 980 230629 |e81.00 |f332633