LEADER 03688ccm a2200469 i 4500001    99127184331206421
005    20240502073502.0
008    230622t20232023wiusgl   bhi   n    eng d
020    9781987208504 |q(paperback)
020    1987208501 |q(paperback)
020     |z9781987208511 |q(electronic book)
020     |z198720851X |q(electronic book)
024 30 9781987208504
028 30 R177 |bA-R Editions
035    (OCoLC)on1385424514
040    TDF |beng |erda |cTDF |dBNG |dHDC |dNTE |dNHM |dNjP
043    e-uk-en
050  4 M2 |b.R2384 v.177
245 02 A Musicall banquet of daintie conceits : |bAnthony Munday's 1588 miscellany with tunes / |cedited by Ross W. Duffin.
246 30 Anthony Munday's 1588 miscellany with tunes
264  1 Middleton, Wisconsin : |bA-R Editions, Inc., |c[2023]
264  4  |c©2023
300    1 score (xv, 94 pages) : |billustrations ; |c26 cm.
336    notated music |bntm |2rdacontent
336    text |btxt |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
348    score |b1007 |2rdafnm
348     |cstaff notation |d1007 |2rdafmn
490 1  Recent Researches in the Music of the Renaissance, |x0486-123X ; |v177
520    "In 1588 Anthony Munday published A Banquet of Daintie Conceits, containing twenty-two new moral poems in various verse forms. Ranked with the best comic playwrights of his day, including Shakespeare, he was also a travel-writer, religious spy, actor, translator, royal messenger, deviser of civic entertainments, and historian. Munday confessed that he was not knowledgeable in music, yet he named a tune for singing each poem. Intriguingly, unlike typical broadside ballad tunes, most of Munday's tunes are dances, and of the twenty-two named, fourteen are known from solo instrumental arrangements. Despite that survival, despite the poet's fame, and despite an 1812 edition of the poems from the unique extant copy, this is the first attempt to set Munday's Banquet lyrics to their respective music. Poems with unidentified melodies are set to period tunes that fit their versifications, making all the lyrics singable for the first time in over 400 years"-- |cProvided by publisher.
546     |bStaff notation.
504    Includes bibliographical references and indexes.
505 00  |tWhen I behold the rechles race of youth -- |tWhat state so sure, but time subuarts? -- |tWhen fond desire, had drawne my mind to Loue -- |tA Diew my former pleasure -- |tList a while faire Ladies -- |tWhen I sometime begin to thinke vpon -- |tMerchaunt of great riches dwelt -- |tSuch men as betake them to pleasure and ease -- |tSofte fire makes sweete Mault, they say -- |tTwo freends that had a stocke of Corne -- |tStatelie Pine, whose braunches spreade so faire -- |tAs Iesus went to Galilee -- |tO What a thing of strength is wine? -- |tIf Wine be strong, what strength haue men -- |tIt neither is the mightie King -- |tYou youthfull heads, whose climing mindes -- |tIt chaunced on a time, that a lewde Theefe -- |tCertaine yong man, as I reade -- |tWell this man for refuge tooke -- |tWho list to see a patterne of abuse -- |tFarewell sweet Fancie -- |tIt was my chaunce to walke abroade -- |tAppendix of related images.
650  0 Songs with continuo.
655  7 Songs. |2lcgft
655  7 Scores. |2lcgft
700 1   |iMusical setting of (work):Munday, Anthony, |d1553-1633. |tBanquet of daintie conceits.
700 1  Duffin, Ross W., |eeditor.
830  0 Recent researches in the music of the Renaissance ; |vv. 177.
902    010000824 |wcopy |120230630151524.0
914    (OCoLC)on1385424514 |bOCoLC |cmatch |d20240501 |eprocessed |f1385424514