<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><rdf:Description rdf:about="https://catalog.princeton.edu/catalog/99127123270006421"><dc:title>Theatre history, attribution studies, and the question of evidence</dc:title><dc:creator>Syme, Holger Schott</dc:creator><dc:language>English</dc:language><dc:format>Book</dc:format><dc:description>Offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories, and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor.</dc:description><dc:date>2023</dc:date><dc:publisher>Cambridge : Cambridge University Press, 2023.</dc:publisher><dc:subject>Henslowe, Philip -1616—Diary</dc:subject><dc:subject>Kyd, Thomas 1558-1594—Spanish tragedy</dc:subject><dc:subject>English drama—Early modern and Elizabethan, 1500-1600—History and criticism</dc:subject><dc:subject>Theatrical companies—England—History—16th century</dc:subject><dc:type>Book</dc:type><dc:identifier>9781009227391</dc:identifier></rdf:Description></rdf:RDF>