Details

Subject(s)

• American poetry—20th century—History and criticism [Browse]
• Politics and literature [Browse]
• Politics in literature [Browse]
• Loy, Mina—Criticism and interpretation [Browse]
• Pound, Ezra, 1885-1972—Criticism and interpretation [Browse]
• Hughes, Langston, 1902-1967—Criticism and interpretation [Browse]
• Poetry, Modern—20th century—History and criticism [Browse]
• Modernism (Literature) [Browse]
• Aesthetics, Modern—20th century [Browse]
• Public sphere [Browse]

Library of Congress genre(s)

• Literary criticism [Browse]

Series

Modern and contemporary poetics [More in this series]

Summary note

"A study of modernist poets who, finding both support and stimulation in popular political theory, were committed to transforming their art in and through attempts to engage the evolving concept of the public sphere"-- Provided by publisher.

Bibliographic references

Includes bibliographical references.

Contents

• John Dewey and Walter Lippmann: Knowledge, Aesthetics, and the Modernist Public Sphere
• Mina Loy: Irritation and the "Unprintable Word"
• Ezra Pound versus "The Perverters of Language"
• Langston Hughes, "Baddest" of the "Bad New Negroes"
• The Ends of Aesthetic Politics.

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ISBN

• 9780817360610 (paperback)
• 0817360611 (paperback)

LCCN

2022010513

OCLC

1304814476

Statement on language in description

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