LEADER 03497nam a2200529 i 4500001 99126743033106421 005 20231110214510.0 006 m o d | 007 cr ||||||||||| 008 220728s2022 enka ob 001 0 eng d 020 1-00-310357-X 020 1-000-21354-4 020 1-000-21097-9 020 1-003-10357-X 035 (CKB)5600000000024739 035 (MiAaPQ)EBC6799018 035 (Au-PeEL)EBL6799018 035 (OCoLC)1285167869 035 (OCoLC)1264174341 035 (OCoLC-P)1264174341 035 (FlBoTFG)9781003103578 035 (EXLCZ)995600000000024739 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 043 e-it--- 050 4 TR183 |b.R877 2022 072 7 HIS |x020000 |2bisacsh 072 7 PHO |x000000 |2bisacsh 072 7 PHO |x005000 |2bisacsh 072 7 AB |2bicssc 082 0 770.945 |223 082 770.94509045 100 1 Russo, Antonella, |eauthor. 245 10 Italian neorealist photography : |bits legacy and aftermath / |cAntonella Russo. 264 1 Abingdon, Oxon, England ;New York, New York : |bRoutledge, |c[2022] 264 4 |c©2022 300 1 online resource (219 pages) 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 1 Routledge History of Photography 505 0 Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of illustrations -- Acknowledgments -- Introduction -- Chapter 1 The Question about Neorealist Photography -- Chapter 2 Neorealist Literary Photographic Culture -- Chapter 3 Beyond Eboli: The Ethno(photo)graphic turn in Neorealism -- Chapter 4 Post-Neorealist Photography -- Bibliography -- Index. 520 "This book offers an analysis of the socio-historical conditions of the rise of post-war Italian photography, considers its practices and traces its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its progressive popularization and subsequent co-optation that occurred with the advent of the industrialization of photographic magazines. This volume examines the ethno(photo)graphic missions of Ernesto De Martino in the deep south of Italy; the key role played by the neorealist writer and painter Carlo Levi as 'ambassador of international photography' and the journeys of David Seymour, Henry Cartier Bresson and Paul Strand in Neorealist Italy. The volume takes into account the formation and proliferation of Italian photographic associations and their role in institutionalizing and promoting Italian photography, their link to British and other European photographic societies, and the subsequent decline of Neorealism. It also considers the inception of non-objective photography that thrived soon after the war, in concurrence with the circulation of Neorealism, thus debunking the myth identifying all Italian postwar photography with the neorealist image. This book will be particularly useful for scholars in the history of photography, Italian history, and the theory of photography"-- |cProvided by publisher. 588 Description based on print version record. 504 Includes bibliographical references and index. 650 0 Photography |xSocial aspects |zItaly |y20th century |xHistory. 650 0 Realism in art. 776 |z1-350-16225-6 830 0 Routledge History of Photography 906 BOOK