LEADER 02416nam  2200385 i 4500001    99126743025606421
005    20240513144709.0
006    m     o  d |
007    cr#cnu||||||||
008    201208s2021    nyuab   o     000 0 eng d
020    0-367-81012-3
020    1-000-29040-9
035    (CKB)4100000011570696
035    (MiAaPQ)EBC6389839
035    (OCoLC)1176318268
035    (EXLCZ)994100000011570696
040    MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ
050  4 ND1451.5 |b.B373 2021
082 0  754.097309034 |223
082    754.097309034
100 1  Baradel, Lacey, |d1982- |eauthor.
245 10 Mobility and identity in US genre painting : |bpainting at the threshold / |cLacey Baradel.
250    1st ed.
264  1 New York, New York ;London : |bRoutledge, |c[2021]
264  4  |c©2021
300    1 online resource (xiii, 163 pages) : |billustrations, maps.
336    text |btxt |2rdacontent
337    computer |bc |2rdamedia
338    online resource |bcr |2rdacarrier
490 1  Routledge research in art history
588    Description based on print version record.
520    "This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"-- |cProvided by publisher.
505 0  Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport.
650  0 Genre painting, American |y19th century.
776     |z0-367-40959-3
830  0 Routledge research in art history.
906    BOOK