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The Oxford handbook of film theory / edited by Kyle Stevens.
Format
Book
Language
English
Published/Created
New York : Oxford University Press, 2022.
Description
1 online resource : illustrations (black and white).
Availability
Available Online
Oxford Handbooks Online Literature
Details
Subject(s)
Motion pictures
—
Philosophy
[Browse]
Editor
Stevens, Kyle
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Series
Oxford handbooks
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Summary note
'The Oxford Handbook of Film Theory' narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent and in dialogue with the vicissitudes of entertainment, art, and empire. Essays topics include (but are not limited to) audiovisuality, silent cinema, psychoanalytic film theory, affect theory, critical race theory, and the male gaze.
Notes
Also issued in print: 2022.
Bibliographic references
Includes bibliographical references and index.
Target audience
Specialized.
Source of description
Description based on online resource; title from home page (viewed on October 21, 2022).
Contents
A Machine for Killing Time / Tom Gunning
Buddhism and Film Theory: Beyond a Legacy / Victor Fan
Film Theory as Ideology Critique (after Trump) / Nico Baumbach
In Defense of Psychoanalytic Film Theory / Damon Ross Young
In Other Words: Film and the Spider Web of Description / Timothy Corrigan
Women's Hands and the Cinematic Cut: The Work of Montage in Man With a Movie Camera, Klute, and The Piano / David A. Gerstner
Standing Up Too Close or Back Too Far? A Slanted History of Close Film Analysis / Adrian Martin
Notes on Some Forms of Repetition / Homay King
Interested and Disinterested Judgments: Film and Theory and the Valences of the Aesthetics / Daniel Morgan
On Fire: When Fashion Meets Cinema / Marketa Uhlirova
The Audio-Visual Non-relation and the Digital Break / Luka Arsenjuk
The composer of musique concrète wields a camera / Michel Chion
Documentary Listening Habits: From Voice to Audibility / Pooja Rangan
Audiovisual Rhythm and its Spectator: Moonlight as Example / Rick Warner
Contesting the White Gaze: Black Film and Post-Cinematic Spectatorship / Caetlin Benson-Allott
Moral Philosophy and the Moving Images / Brian Price
Lesbian Photographers: Affect and Cinematic Self-Discovery / Marta Figlerowicz
An Invention Without a Future?: On the Importance of the Collective Cinema Experience / Julian Hanich
Feminist Film Theory on the Brink of Laughter / Maggie Hennefeld
Cinematic Experience: From Moving Images to Virtual Reality / Robert Sinnerbrink
The Many Bodies of the Dancer-Actress: Towards A Kinesics of Film Acting / Usha Iyer
The Medium Matters! In Defense of Medium-Specificity in Classical Film Theory / Malcolm Turvey
Introduction: The Very Thought of Theory / Kyle Stevens
FILM | VIDEO | ESSAY / Domietta Torlasco
Film Theory and Machine Vision / Antonio Somaini
Headphones, Cinematic Listening, and the Frame of the Skull / Kyle Stevens
The Affective Turnabout's Fair Play / Sarah Keller
On the Impersonality of Experience: Psychoanalysis, Interiority, and the Turn to Affect / Scott C. Richmond
When and Where Does a Film Begin? Putting Films in Context / Amy Villarejo
Those Who Have: The Impersonality of Film Theory / John David Rhodes
Theory for the Masses
or, Toward a Vernacular Criticism / Noah Isenberg
/ Kara Keeling
Empiricism and Film Theory: On the Moviola's Political Ontology / Davide Panagia.
Show 31 more Contents items
Other title(s)
Handbook of film theory
Film theory
ISBN
9780190873950 (ebook)
Statement on responsible collection description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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The Oxford handbook of film theory / edited by Kyle Stevens.
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