LEADER 03955cmm a22005057i 4500001 99126232465206421 006 m#####o##d######## 007 cr#mn######a#a 008 221212s2022 miu o 001 0 eng d 035 (MiAaI)ICPSR38545 040 MiAaI |beng |erda |cMiAaI 099 Electronic Resource 245 00 Dunham's Data : |bKatherine Dunham and Digital Methods for Dance Historical Inquiry, Repertory, 1937-1962 / |cHarmony Bench, Kate Elswit. 250 2022-11-09 264 1 Ann Arbor, Mich. : |bInter-university Consortium for Political and Social Research [distributor], |c2022. 300 1 online resource 336 computer dataset |bcod |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 347 data file |2rda 490 1 ICPSR |v38545 490 1 Dunham's Data Series 516 Numeric 536 Arts and Humanities Research Council (AHRC) |cAH/R012989/1 536 Battelle Engineering, Technology and Human Affairs Endowment (BETHA) and The Ohio State University 530 Also available as downloadable files. 522 Caribbean 522 Europe 522 Latin America 522 North Africa 522 South America 522 United Kingdom 520 3 The Repertory Dataset is the third public-use dataset in the Dunham's Data series, a unique data collection created by Kate Elswit (Royal Central School of Speech and Drama, University of London) and Harmony Bench (The Ohio State University) to explore questions and problems that make the analysis and visualization of data meaningful for dance history through the case study of choreographer Katherine Dunham. The Repertory Dataset catalogues the various titles and descriptions in Dunham's repertory by which a piece might be known, the years in which it was performed, and all of the singers, dancers, and drummers who were listed as performing in it. The Repertory dataset documents other aspects of each work such as composers of the music, the varying numbers of performers, places of inspiration where available, and whether pieces were performed in concert venues, nightclubs, or both. It also tracks fluid relationships among nearly 300 numbers identified in Dunham's repertory from the 1930s onwards by examining the various scales at which Dunham repurposed choreographic elements over time and for different performance venues, and therefore the alternative ways that works might connect individual performers. Dunham's Data: Digital Methods for Dance Historical Inquiry is funded by the United Kingdom Arts and Humanities Research Council (AHRC AH/R012989/1, 2018-2022) and is part of a larger suite of ongoing digital collaborations by Bench and Elswit, Movement on the Move. The Dunham's Data team also includes digital humanities postdoctoral research assistant Antonio Jiménez-Mavillard and dance history postdoctoral research assistants Takiyah Nur Amin and Tia-Monique Uzor.Cf: http://doi.org/10.3886/ICPSR38545.v1 650 7 art history |2icpsr 650 7 artists |2icpsr 650 7 choreography |2icpsr 650 7 dance |2icpsr 650 7 performance |2icpsr 650 7 performing arts |2icpsr 650 7 theater |2icpsr 700 1 Bench, Harmony |uOhio State University, |eeditor. |0http://id.loc.gov/authorities/names/no2018129172 700 1 Elswit, Kate |uRoyal Central School of Speech and Drama (Great Britain) |eeditor. |0http://id.loc.gov/authorities/names/n2014000543 710 2 Inter-university Consortium for Political and Social Research. |0http://id.loc.gov/authorities/names/n79141035 830 0 ICPSR (Series) |v38545 956 40 |uhttps://doi.org/10.3886/ICPSR38545.v1