Skip to search
Skip to main content
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Cite
Send
to
SMS
Email
EndNote
RefWorks
RIS
Printer
Bookmark
Dunham's Data : Katherine Dunham and Digital Methods for Dance Historical Inquiry, Repertory, 1937-1962 / Harmony Bench, Kate Elswit.
Format
Data file
Language
English
Εdition
2022-11-09
Published/Created
Ann Arbor, Mich. : Inter-university Consortium for Political and Social Research [distributor], 2022.
Description
1 online resource
Numeric
Availability
Available Online
ICPSR (Inter-university Consortium for Political and Social Research)
Details
Editor
Bench, Harmony
[Browse]
Elswit, Kate
[Browse]
Related name
Inter-university Consortium for Political and Social Research
[Browse]
Series
ICPSR (Series) 38545
[More in this series]
ICPSR 38545
Dunham's Data Series
Summary note
The Repertory Dataset is the third public-use dataset in the
Dunham's Data series
, a unique data collection created by Kate Elswit (Royal Central School of Speech and Drama, University of London) and Harmony Bench (The Ohio State University) to explore questions and problems that make the analysis and visualization of data meaningful for dance history through the case study of choreographer Katherine Dunham. The Repertory Dataset catalogues the various titles and descriptions in Dunham's repertory by which a piece might be known, the years in which it was performed, and all of the singers, dancers, and drummers who were listed as performing in it. The Repertory dataset documents other aspects of each work such as composers of the music, the varying numbers of performers, places of inspiration where available, and whether pieces were performed in concert venues, nightclubs, or both. It also tracks fluid relationships among nearly 300 numbers identified in Dunham's repertory from the 1930s onwards by examining the various scales at which Dunham repurposed choreographic elements over time and for different performance venues, and therefore the alternative ways that works might connect individual performers. Dunham's Data: Digital Methods for Dance Historical Inquiry is funded by the United Kingdom Arts and Humanities Research Council (AHRC AH/R012989/1, 2018-2022) and is part of a larger suite of ongoing digital collaborations by Bench and Elswit, Movement on the Move. The Dunham's Data team also includes digital humanities postdoctoral research assistant Antonio Jiménez-Mavillard and dance history postdoctoral research assistants Takiyah Nur Amin and Tia-Monique Uzor.Cf: http://doi.org/10.3886/ICPSR38545.v1
Type of data
Numeric
Geographic coverage
Caribbean
Europe
Latin America
North Africa
South America
United Kingdom
Funding information
Arts and Humanities Research Council (AHRC) AH/R012989/1
Battelle Engineering, Technology and Human Affairs Endowment (BETHA) and The Ohio State University
Other format(s)
Also available as downloadable files.
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Other views
Staff view
Ask a Question
Suggest a Correction
Report Harmful Language
Supplementary Information