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010    2022940209
020    9780876332993 |qhardcover
020    0876332998 |qhardcover
035    (OCoLC)on1344291571
037    W038140
040    ERASA |beng |erda |cERASA |dPMN |dYDX |dOCLCF |dQGJ
050  4 N6853.M33 |bA4 2022
082 04 709.04
090    N6853.M33 |bA4 2022q |kOversize
100 1  Affron, Matthew |c(Art museum curator), |eauthor. |4aut
245 10 Matisse in the 1930s / |cMatthew Affron; Cecile Debray; Claudine Grammont.
264  1 Philadelphia : |bPhiladelphia Museum of Art, in association with Yale University Press |c2022.
264  4  |c©2022
300    255 pages : |bcolor illustrations ; |c33 x 25 cm
336    text |btxt |2rdacontent
336    still image |bsti |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
504    Includes bibliographical references (pages 251-253) and index.
505 00  |tForeword / |rTimothy Rub -- |tMatisse in the 1930s / Matthew Affron, Cécile Debray, Claudine Grammont -- |gEssays. -- |tMatisse, Zervos, and Cahiers D'Art / Chara Kolokytha -- |tA crisis and four exhibitions / |rÉric de Chassey -- |tMatisse/Picasso: the Duo's revival in the Cahiers D'Art / Cécile Debray -- |tLydia Delectorskaya and the making of Matisse / |rEllen McBreen -- |tMatisse's mural art / |rMatthew Affron -- |tMatisse's studio in the making of his work / |rClaudine Grammont -- |gCahiers D'Art. -- |tExtracts 1926-39 -- |gWorks. -- |tThe three sisters / |rCécile Girardeau -- |tPaul Guillaume and Matisse / |rCécile Girardeau -- |tWoman with a veil / |rAlix Agret -- |tThe yellow dress / |rLaurence Schlosser -- |tHenriette I, II, III / |rLaurence Schlosser -- |tMatisse and international Black modernity / |rDenise Murrell -- |tMatisse's world tour / |rAlix Agret -- |tMatisse and Philadelphia / |rMatthew Affron -- |tPierre Matisse Gallery / |rAymeric Jeudy -- |tLarge reclining nude / |rAymeric Jeudy -- |tNymph in the forest (Verdure) / |rClaudine Grammont -- |tWoman in blue / |rEllen McBreen -- |tThe Romanian blouse / |rAlice Marsal -- |tRouge et noir: a museum of synthesis? / |rJuliet Bellow -- |tThemes and Variations / |rMatthew Affron -- |gChronology. -- |tThe artist at work 1926-40 / |rAnne Théry.
520 8  In 1930, as Henri Matisse (1869-1954) embarked on The Dance, a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art.  This volume highlights and explains pivotal transformations in Matisse's work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal Cahiers d'art, which played an outsized role in publicizing Matisse's work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice.
500    Published on occasion of the exhibition 'Matisse in the 1930s' at the Philadelphia Museum of Art, October 20, 2022 - January 29, 2023, and 'Matisse: Cahiers d'art - Le tournant des années 1930' at the Musée de l'Orangerie, Paris, February 28 - May 29, 2023, and the Musée Matisse Nice, June 23-September 24, 2023.
600 10 Matisse, Henri, |d1869-1954 |vExhibitions.
655  7 Exhibition catalogs. |2fast |0(OCoLC)fst01424028
700 1  Debray, Cécile, |eauthor. |4aut
700 1  Grammont, Claudine, |eauthor. |4aut
700 1  Rub, Timothy, |ewriter of foreword.
710 2  Philadelphia Museum of Art, |ehost institution.
710 2  Musée de l'Orangerie, |ehost institution.
710 2  Musée Matisse, |ehost institution.
902    000088300 |wcopy |120221209125317.0
914    (OCoLC)on1344291571 |bOCoLC |cfield transfer |d20230125 |eprocessed |f1344291571
980    221107 |e45.00 |f330650