Matisse in the 1930s / Matthew Affron; Cecile Debray; Claudine Grammont.

Author
Affron, Matthew (Art museum curator) [Browse]
Format
Book
Language
English
Published/​Created
  • Philadelphia : Philadelphia Museum of Art, in association with Yale University Press 2022.
  • ©2022
Description
255 pages : color illustrations ; 33 x 25 cm

Details

Subject(s)
Author
Writer of foreword
Host institution
Summary note
In 1930, as Henri Matisse (1869-1954) embarked on The Dance, a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art. This volume highlights and explains pivotal transformations in Matisse's work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal Cahiers d'art, which played an outsized role in publicizing Matisse's work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice.
Notes
Published on occasion of the exhibition 'Matisse in the 1930s' at the Philadelphia Museum of Art, October 20, 2022 - January 29, 2023, and 'Matisse: Cahiers d'art - Le tournant des années 1930' at the Musée de l'Orangerie, Paris, February 28 - May 29, 2023, and the Musée Matisse Nice, June 23-September 24, 2023.
Bibliographic references
Includes bibliographical references (pages 251-253) and index.
Contents
  • Foreword / Timothy Rub
  • Matisse in the 1930s / Matthew Affron, Cécile Debray, Claudine Grammont
  • Essays.
  • Matisse, Zervos, and Cahiers D'Art / Chara Kolokytha
  • A crisis and four exhibitions / Éric de Chassey
  • Matisse/Picasso: the Duo's revival in the Cahiers D'Art / Cécile Debray
  • Lydia Delectorskaya and the making of Matisse / Ellen McBreen
  • Matisse's mural art / Matthew Affron
  • Matisse's studio in the making of his work / Claudine Grammont
  • Cahiers D'Art.
  • Extracts 1926-39
  • Works.
  • The three sisters / Cécile Girardeau
  • Paul Guillaume and Matisse / Cécile Girardeau
  • Woman with a veil / Alix Agret
  • The yellow dress / Laurence Schlosser
  • Henriette I, II, III / Laurence Schlosser
  • Matisse and international Black modernity / Denise Murrell
  • Matisse's world tour / Alix Agret
  • Matisse and Philadelphia / Matthew Affron
  • Pierre Matisse Gallery / Aymeric Jeudy
  • Large reclining nude / Aymeric Jeudy
  • Nymph in the forest (Verdure) / Claudine Grammont
  • Woman in blue / Ellen McBreen
  • The Romanian blouse / Alice Marsal
  • Rouge et noir: a museum of synthesis? / Juliet Bellow
  • Themes and Variations / Matthew Affron
  • Chronology.
  • The artist at work 1926-40 / Anne Théry.
ISBN
  • 9780876332993 (hardcover)
  • 0876332998 (hardcover)
LCCN
2022940209
OCLC
1344291571
Statement on responsible collection description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...
Other views
Staff view

Supplementary Information