LEADER 04240cam a2200637 i 4500001 99125534497106421 005 20240606083802.0 008 210320t20222022onca b 001 0 eng^^ 020 1487509308 |q(cloth) 020 9781487509309 |q(cloth) 035 (OCoLC)on1242465423 040 NLC |beng |erda |cYDX |dBDX |dNLC |dUKMGB |dOCLCO |dOCLCF |dERASA |dCDX |dYDX 042 lac 043 e-sp--- 050 4 PQ6066 |b.I65 2022 055 0 PQ6066 |b.I54 2022 082 04 860.9/003 |223 084 cci1icc |2lacc 100 1 Infante, Catherine, |eauthor. 245 14 The arts of encounter : |bChristians, Muslims, and the power of images in early modern Spain / |cCatherine Infante. 264 1 Toronto ;Buffalo ;London : |bUniversity of Toronto Press, |c[2022] 264 4 |c©2022 300 ix, 250 pages : |billustrations (black and white) ; |c24 cm. 336 text |btxt |2rdacontent 336 still image |bsti |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Toronto Iberic ; |v66 504 Includes bibliographical references (pages 207-238) and index. 505 0 Moriscos between Cross and Crescent -- Text against Image in Moriscos' Literary Culture -- Granada and the Poetics of Sacred Space -- Marian Images of Conversion -- Images of Mary on the Battlefield -- Captive Images and Forged Identities. 520 "Images of crosses, the Virgin Mary, and Christ, among other devotional objects, pervaded nearly every aspect of public and private life in early modern Spain, but they were also a point of contention between Christian and Muslim cultures. Writers of narrative fiction, theatre, and poetry were attuned to these debates, and religious imagery played an important role in how early modern writers chose to portray relations between Christians and Muslims. Drawing on a wide variety of literary genres as well as other textual and visual sources, including historical chronicles, travel memoirs, captives' testimonies, and paintings, Catherine Infante traces the references to religious visual culture and the responses they incited in cross-confessional negotiations. She reveals some of the anxieties about what it meant to belong to different ethnic or religious communities and how these communities interacted with each other within the fluid boundaries of the Mediterranean world. Focusing on the religious image as a point of contact between individuals of diverse beliefs and practices, The Arts of Encounter presents an original and necessary perspective on how Christian-Muslim relations were perceived and conveyed in print."-- |cProvided by publisher. 530 Issued also in electronic format. 650 0 Spanish literature |yClassical period, 1500-1700 |xHistory and criticism. 650 0 Christian art and symbolism in literature. 650 0 Christianity and other religions |xIslam. 650 0 Religion and culture |zSpain. 651 0 Spain |xReligion. 650 6 Christianisme |xRelations |xIslam. |0(CaQQLa)201-0019616 650 6 Religion et culture |0(CaQQLa)201-0085075 |zEspagne. |0(CaQQLa)201-0476744 650 7 Christian art and symbolism in literature. |2fast |0(OCoLC)fst00858935 650 7 Christianity. |2fast |0(OCoLC)fst00859599 650 7 Interfaith relations. |2fast |0(OCoLC)fst01353343 650 7 Islam. |2fast |0(OCoLC)fst00979776 650 7 Religion. |2fast |0(OCoLC)fst01093763 650 7 Religion and culture. |2fast |0(OCoLC)fst01093823 650 7 Spanish literature |xClassical period. |2fast |0(OCoLC)fst01711000 651 7 Spain. |2fast |0(OCoLC)fst01204303 648 7 1500-1700 |2fast 655 7 Criticism, interpretation, etc. |2fast |0(OCoLC)fst01411635 776 08 |iOnline version:Infante, Catherine. |tArts of encounter. |dToronto ; Buffalo ; London : University of Toronto Press, 2022 |z1487509324 |z9781487509323 |w(OCoLC)1262648076 830 0 Toronto Iberic ; |v66. 910 |cG0601mon |d3110-07 |gYBP |h362211 914 (OCoLC)on1242465423 |bOCoLC |cmatch |d20240530 |eprocessed |f1242465423 980 17293886 |i70.00 |j57.40 |n40031160771 982 |cf |q32101118765732 986 |hPQ6066 |i.I65 2022