LEADER 02361nam 2200409 i 4500001 99125529222906421 005 20230808204150.0 006 m o d | 007 cr#cnu|||||||| 008 191212s2016 enk ob 001 0 eng d 020 1-4742-3910-2 035 (CKB)4100000008168730 035 (MiAaPQ)EBC5982225 035 (MiAaPQ)EBC4948964 035 (Au-PeEL)EBL4948964 035 (CaONFJC)MIL852160 035 (OCoLC)1024258659 035 (EXLCZ)994100000008168730 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 050 4 MT956 |b.E936 2016 082 0 792.50233 |223 100 1 Ewans, Michael, |d1946- |eauthor. 245 10 Performing opera : |ba practical guide for singers and directors / |cMichael Ewans. 250 1st ed. 264 1 London : |bBloomsbury, |c2016. 300 1 online resource (352 pages) 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 1 Performance Bks. 588 Description based on print version record. 504 Includes bibliographical references and index. 520 In Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera. 650 0 Acting in opera. 650 0 Opera |xProduction and direction. 776 |z1-4742-3907-2 830 0 Performance Bks. 906 BOOK