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Madrigals. Part 5, Il quinto libro de madrigali a cinque voci : (Venice, 1608) / Marco da Gagliano ; edited by Edmond Strainchamps.
Composer
Gagliano, Marco da, 1582-1643
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Uniform title
Madrigals,
voices (5),
book 5
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Format
Musical score
Language
Italian
Published/Created
Middleton, Wisconsin : A-R Editions, Inc., [2021]
©2021
Description
1 score (xviii, 72 pages, 3 unnumbered pages of plates) : illustrations, facsimiles ; 31 cm.
Details
Subject(s)
Madrigals, Italian
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Vocal quintets, Unaccompanied
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Vocal septets, Unaccompanied
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Choruses, Secular (Mixed voices), Unaccompanied
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Editor
Strainchamps, Edmond
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Library of Congress genre(s)
Art music
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Madrigals (Music)
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Scores
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Series
Recent researches in the music of the Baroque Era ; v. 222.
[More in this series]
Gagliano, Marco da, 1582-1643. Madrigals (Strainchamps) ; pt. 5.
[More in this series]
Recent researches in the music of the Baroque Era, 0484-0828 ; 222
[More in this series]
Madrigals / Marco da Gagliano ; part 5
Medium/Support
monochrome rdacc
illustration facsimile rdaill
Summary note
"Marco da Gagliano's Quinto libro de madrigali a cinque voci was published in October 1608, a little less than two years after his previous book. It contains fourteen madrigals for five voices and one for seven, all composed by Gagliano. The poets represented include Giambattista Marino, Giovanbattista Strozzi, both the older and the younger, Cosimo Galletti, and Ottavio Rinuccini. The madrigals of book 5 are quite varied in their style and their treatment of text. Many are light and remarkably concise, like the canzonetta-influenced madrigals of the Quarto libro, and most often set text syllabically to shorter rhythmic values in motives that alternate between homophony (or near homophony) and polyphony, imitative or nonimitative. Some, however, set poetry very differently. A three-part setting of a Marino sonnet, for instance, is filled with virtuoso melisma, probably intended for the professional singers of the Medici court. Book 5 also includes a concertato madrigal for seven singers and basso continuo that bears the prescriptive direction "per cantare e sonare" (for voices and instruments) in the basso partbook. Although there is no notational indication of instruments, the basso part lacks text for several measures, and it is likely that it was performed with improvised chords on an instrument. The book also contains two threnodies for Count Cammillo della Gheradesca that are in a somber and more traditional polyphony and contrast with the rest of the book's contents." -- Provided by publisher.
Notes
For five voices (canto, quinto, alto, tenore, and basso); last madrigal for seven voices.
Includes introduction and critical report.
Bibliographic references
Includes bibliographical references.
Language note
Italian words (texts by various poets); also printed as text with English translations: pages xv-xviii.
Script
Staff notation.
Contents
Vago, amoroso dio / Giovanbattista Strozzi the older
Qui rise, o Tirsi, e qui ver me rivolse / Giambattista Marino
Fuss'io pur degno, Amore / Giovanbattista Strozzi the younger
Care pupille amate
Sospir fugace e leve / Ottavio Rinuccini
Spera, infelice, spera / Cosimo Galletti
Fuggi tua speme, fuggi
Mori, mi dici, e mentre / Giambattista Marino
Hor ch'io t'ho dato 'l core
Felicissimo fiore
Se già ritrosa mi fuggisti e schiva
Su la sponda del Tebro humida herbosa / Giambattista Marino
Vattene o felic'alma
Seccassi, giunta a sera, in un momento
Altri, di beltà vaga.
Show 12 more Contents items
Other title(s)
Quinto libro de madrigali a cinque voci
ISBN
9781987206739 (print)
1987206738 (print)
Publisher no.
B222
OCLC
1267996902
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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