Details

Subject(s)

• Gangster films—United States—History and criticism [Browse]
• Film noir—United States—History and criticism [Browse]
• Motion pictures—Social aspects—United States—History—20th century [Browse]

Summary note

"In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers. With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean's Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective; the family as a locus of dissension and rapport; the real-world roots of the heist picture; and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life"-- Provided by publisher.

Bibliographic references

Includes bibliographical references and index.

Reproduction note

Electronic reproduction. New York Available via World Wide Web.

Source of description

Description based on online resource; title from digital title page (viewed on March 15, 2021).

ISBN

• 0252052498
• 9780252052491 (electronic book)

LCCN

2020023674

OCLC

1157841198

Statement on language in description

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