LEADER 01251nam 2200325 i 4500001 99125396419606421 005 20210414100525.0 006 m o d | 007 cr ||||||||||| 007 cr ||||||||||| 008 210414s2019 nyu o 000 0 eng d 020 0-19-067847-X 020 0-19-067846-1 020 0-19-067845-3 035 (CKB)4100000006676230 035 (StDuBDS)EDZ0001906124 035 (MiAaPQ)EBC6380316 035 (PPN)24054109X 035 (EXLCZ)994100000006676230 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 050 4 CB401 |b.O946 2019 082 0 193 |223 245 04 The Oxford handbook of the Baroque / |cedited by John D. Lyons. 264 1 New York, NY : |bOxford University Press, |c[2019] 264 4 |c2019 300 1 online resource. 310 monthly 336 text |2rdacontent 337 computer |2rdamedia 338 online resource |2rdacarrier 490 1 Oxford handbooks online 504 Includes bibliographical references and index. 505 00 |tDecentering the European Imaginary: A Baroque Taste for India / |rFaith E. Beasley -- |tParadoxes: Baroque Science / |rOfer Gal -- |tThe Spanish Baroque Novel / |rEnrique Garcâia Santo-Tomâas -- |tBaroque Theatricality / |rJulia Gros de Gasquet -- |tBaroque Diplomacy / |rTimothy Hampton -- |tWater in the Baroque Garden / |rStephanie Hanke -- |tFashioning the Baroque Male / |rMartha Hollander -- |tBaroque Tragedy / |rBlair Hoxby -- |tThe Baroque as a Literary Concept / |rKatherine Ibbett, Anna More -- |tBaroque Discourse / |rChristopher D. Johnson -- |tPrayer, Meditation, and Retreat / |rMette Birkedal Bruun -- |tAntinomies of the 21st-Century Neobaroque: Cormac McCarthy and Demian Schopf / |rMonika Kaup -- |tThe Crisis of the Baroque / |rJohn D. Lyons -- |tClassical Defense of the Baroque / |rHâeláene Merlin-Kajman -- |tThe End of Witch-Hunting / |rH. C. Erik Midelfort -- |tSurface and Substance: Baroque Dress in Spain and France, 1600-1720 / |rLesley Ellis Miller -- |tThe Baroque and Philosophy / |rMichael Moriarty -- |tThe Baroque as Anti-Classicism: The French Case / |rLarry F. Norman -- |tBaroque Organ Music / |rDavid Ponsford -- |tTime and Chronometry / |rRoland Racevskis -- |tThe Organization of Knowledge from Ramus to Diderot / |rEmmanuel Bury -- |tIs There a Baroque Style of Preaching in Early Modern France? / |rAnne Râegent-Susini, Laurent Susini -- |tOttoman Baroque / |rèUnver Rèustem -- |tCourt Spectacle and Entertainment / |rGuy Spielmann -- |tThe Baroque State / |rBarbara Stollberg-Rilinger -- |tMachine Plays / |rHâeláene Visentin -- |tOrnamentation / |rMichael Yonan -- |tExperience and Knowledge in the Baroque / |rAnthony J. Cascardi -- |tThe Automaton / |rJessica Keating -- |tThe Baroque City / |rDavid Mayernik -- |tBaroque Opera / |rDowning A. Thomas -- |tIbero-American Architecture and Urbanism / |rPaul Niell -- |tBaroque Dance / |rJennifer Nevile -- |tSaints and Baroque Piety / |rThomas Worcester -- |tLine and Trait of the Baroque River / |rTom Conley -- |tConversation and Civility / |rDelphine Denis -- |tThe Philosopher's Baroque: Benjamin, Lacan, Deleuze / |rWilliam Egginton -- |tBaroque Sexualities / |rGary Ferguson. 520 8 When we hear the term 'Baroque' the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. 588 Description based on online resource; title from home page (viewed on September 4, 2019). 588 Description based on print version record. 650 0 Civilization, Baroque. 776 |z0-19-067844-5 797 2 ebrary 700 1 Lyons, John D., |d1946- |eeditor. 830 0 Oxford handbooks online. 906 BOOK