Details

Subject(s)

• Painting, Italian—19th century [Browse]
• Regionalism in art [Browse]
• Minardi, Tommaso 1787-1871—Criticism and interpretation [Browse]
• Hayez, Francesco 1791-1882—Criticism and interpretation [Browse]
• Toma, Gioacchino 1836-1891—Criticism and interpretation [Browse]

Series

Routledge research in art history [More in this series]

Summary note

"Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists-Tommaso Minardi, Francesco Hayez and Gioacchino Toma-from three distinct regions in Italy prior to, during and directly following political unification in 1861. Each artist, working in Rome, Milan and Naples respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies"-- Provided by publisher.

Bibliographic references

Includes bibliographical references and index.

Contents

• Ottocento painting and the gap in nineteenth-century art historical discourse
• Three portraits/three cities
• Tommaso Minardi and the Roman destiny
• Fancesco Hayez and the rise of history painting during the Risorgimento
• Gioacchino Toma, Neapolitan realism and the aftermath of Unification
• The regional/national model.

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ISBN

• 9780367637422 (hardcover)
• 0367637421 (hardcover)

LCCN

2020057311

OCLC

1227692394

Statement on language in description

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