LEADER 09287nam 2200697Ia 4500001 99125359470806421 005 20251116192142.0 006 m o d | 007 cr#-n--------- 008 080325s2008 sz a o j 000 0 eng d 019 (OCoLC)1030303121 020 3-7643-8140-X 024 7 10.1007/978-3-7643-8140-0 |2doi 035 (CKB)1000000000393864 035 (EBL)1038165 035 (OCoLC)858228875 035 (SSID)ssj0000322532 035 (PQKBManifestationID)11268119 035 (PQKBTitleCode)TC0000322532 035 (PQKBWorkID)10286923 035 (PQKB)11221331 035 (DE-B1597)206162 035 (OCoLC)1030303121 035 (OCoLC)979879354 035 (DE-B1597)9783764381400 035 (Au-PeEL)EBL3063015 035 (CaPaEBR)ebr10231837 035 (CaONFJC)MIL134406 035 (OCoLC)922962202 035 (Au-PeEL)EBL1038165 035 (MiAaPQ)EBC3063015 035 (MiAaPQ)EBC1038165 035 (EXLCZ)991000000000393864 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 041 eng 044 sz |cCH 050 4 NK1165 |b.W6713 2008 072 7 DES012000 |2bisacsh 082 0 745.4014 |222 084 LH 13550 |2rvk |0(DE-625)rvk/92440: 130 0 Worterbuch Design. |lEnglish. 245 10 Design dictionary : |bperspectives on design terminology / |cMichael Erlhoff, Tim Marshall (eds.). 250 1st ed. 260 Basel : |bBirkhauser Verlag AG, |cc2008. 300 1 online resource (450 p.) 336 text |btxt 337 computer |bc 338 online resource |bcr 490 1 Board of international research in design 500 Description based upon print version of record. 505 00 |tFrontmatter -- |tForeword BIRD -- |tDesign in a Dictionary -- |tA -- |tACOUSTICS -- |tADDED VALUE -- |tADVERTISEMENT -- |tAERODYNAMICS -- |tAESTHETICS -- |tAFFORDANCE -- |tAGIT PROP -- |tANIMATION -- |tANONYMOUS DESIGN -- |tARCHITECTURAL DESIGN -- |tART DECO -- |tART DIRECTION -- |tARTIFACT -- |tART NOUVEAU -- |tARTS & CRAFTS -- |tASPEN -- |tAUDIOVISUAL DESIGN -- |tAUTEUR DESIGN -- |tAUTOMOBILE DESIGN -- |tB -- |tBAUHAUS -- |tBEAUTY -- |tBEL DESIGN -- |tBENCHMARKING -- |tBIONICS -- |tBLACK MOUNTAIN COLLEGE -- |tBLUEPRINT -- |tBRAINSTORMING -- |tBRAND -- |tBRANDING -- |tBRIEF -- |tBROADCAST DESIGN -- |tC -- |tCAD / CAM / CIM / CNC -- |tCAMPAIGN -- |tCAPITAL GOODS -- |tCAR DESIGN -- |tCHARACTER DESIGN -- |tCOATING -- |tCOLLABORATIVE DESIGN -- |tCOLLECTIONS -- |tCOMMERCIAL -- |tCOMMUNICATION DESIGN -- |tCOMMUNICATIONS -- |tCOMPLEXITY -- |tCOMPONENTS -- |tCOMPOSITING -- |tCONCEPTUAL DESIGN -- |tCONSTRUCTION -- |tCONSTRUCTIVISM -- |tCONSUMPTION -- |tCONTINUITY -- |tCONVENTION -- |tCONVERGENCE -- |tCONVERSATION PIECE -- |tCOORDINATION -- |tCOPY -- |tCOPYRIGHT -- |tCORPORATE CULTURE -- |tCORPORATE DESIGN -- |tCORPORATE FASHION -- |tCORPORATE IDENTITY -- |tCRAFT -- |tCREATIVITY -- |tCREDIBILITY -- |tCRITICAL DESIGN -- |tCRITICISM -- |tCRITIQUE -- |tCROSS-CULTURAL DESIGN -- |tCROSSOVER -- |tCUSTOMIZATION -- |tD -- |tDADA AND DESIGN -- |tDECONSTRUCTION -- |tDECORATION -- |tDESIGN -- |tDESIGN AGAINST CRIME -- |tDESIGN AND POLITICS -- |tDESIGN ASSOCIATIONS -- |tDESIGN AWARDS -- |tDESIGN CENTERS -- |tDESIGN COMPETENCE -- |tDESIGN CRITICISM -- |tDESIGN EDUCATION -- |tDESIGN HISTORY -- |tDESIGNING -- |tDESIGN MANAGEMENT -- |tDESIGN METHODS -- |tDESIGN MUSEUMS -- |tDESIGN PLANNING -- |tDESIGN PROCESS -- |tDESIGN PUBLICATIONS -- |tDESIGN RESEARCH -- |tDESIGN SOLUTIONS -- |tDESIGN STRATEGY -- |tDESIGN THEORY -- |tDEUTSCHER WERKBUND -- |tDIGITAL DESIGN -- |tDISCIPLINE -- |tDISPLAY -- |tE -- |tECO DESIGN -- |tEDUCATION -- |tENGINEERING DESIGN -- |tENVIRONMENTAL DESIGN -- |tERGONOMICS -- |tETHICS -- |tEVALUATION -- |tEVENT DESIGN -- |tEXHIBITION DESIGN -- |tF -- |tFAKE -- |tFASHION DESIGN -- |tFEASIBILITY STUDIES -- |tFLOP -- |tFLYER -- |tFOOD DESIGN -- |tFORM -- |tFUNCTION -- |tFUNCTIONALISM -- |tFUNCTIONAL MODEL -- |tFURNITURE DESIGN -- |tFUTURISTIC DESIGN -- |tG -- |tGAME DESIGN -- |tGARDEN DESIGN -- |tGENDER DESIGN -- |tGESTALTUNG -- |tGIMMICK -- |tGLOBALIZATION -- |tGOOD DESIGN -- |tGRAPHIC DESIGN -- |tGREEN DESIGN -- |tH -- |tHANDICRAFT -- |tHAPTICS -- |tHARDWARE -- |tHEURISTICS -- |tHIGH TECH -- |tHISTORY -- |tHUMAN COMPUTER INTERACTION (HCI) -- |tHUMAN FACTORS -- |tHYPERTEXT -- |tI -- |tILLUSTRATION -- |tIMITATION -- |tINDUSTRIAL DESIGN -- |tINFORMATION -- |tINFORMATION DESIGN -- |tINNOVATION -- |tINTEGRATION -- |tINTELLECTUAL PROPERTY -- |tINTERACTION DESIGN -- |tINTERDISCIPLINARY -- |tINTERFACE DESIGN -- |tINTERIOR DESIGN -- |tINTERNATIONAL STYLE -- |tINTUITION -- |tJ -- |tJEWELRY DESIGN -- |tJUST IN TIME -- |tK -- |tKITSCH -- |tKNOWLEDGE MANAGEMENT -- |tL -- |tLANDSCAPE DESIGN -- |tLAYOUT -- |tLIFE CYCLE -- |tLIFESTYLE -- |tLIGHTING DESIGN -- |tLOGISTICS -- |tLOGO -- |tLOOK AND FEEL -- |tLUXURY -- |tM -- |tMARKET RESEARCH -- |tMATERIALS -- |tMECHATRONIC DESIGN -- |tMEDIA DESIGN -- |tMEMPHIS -- |tMISINFORMATION -- |tMOBILITY -- |tMODEL -- |tMODERNITY -- |tMOOD BOARD -- |tMULTIDISCIPLINARY -- |tN -- |tNEED -- |tNEEDS ASSESSMENT -- |tNETWORKING -- |tNON INTENTIONAL DESIGN -- |tNOSTALGIA -- |tNOT-FOR-PROFIT -- |tO -- |tOBJECT -- |tOBSERVATIONAL RESEARCH -- |tODM -- |tOEM -- |tOLFACTORY DESIGN -- |tORGANIZATION -- |tORIENTATION SYSTEM -- |tORNAMENT -- |tORNAMENTATION -- |tOUTSOURCING -- |tP -- |tPACKAGING DESIGN -- |tPARTICIPATORY DESIGN -- |tPATENT -- |tPATINA -- |tPATTERN -- |tPERCEPTION -- |tPERFORMANCE -- |tPERSONA -- |tPHOTOGRAPHIC DESIGN -- |tPICTOGRAM -- |tPLAGIARISM -- |tPOINT OF SALE -- |tPOSTER DESIGN -- |tPOSTMODERNISM -- |tPRACTICE -- |tPREPRESS -- |tPRESENTATION -- |tPROBLEM SETTING -- |tPROBLEM SOLVING -- |tPROCESS -- |tPRODUCT -- |tPRODUCT DESIGN -- |tPRODUCT DEVELOPMENT -- |tPRODUCT FAMILY -- |tPRODUCTION TECHNOLOGY -- |tPRODUCT SEMANTICS -- |tPROJECT -- |tPROTEST DESIGN -- |tPROTOTYPE -- |tPROTOTYPING -- |tPUBLICATIONS -- |tPUBLIC DESIGN -- |tQ -- |tQUALITY -- |tQUALITY ASSURANCE -- |tR -- |tRADICAL DESIGN -- |tRAPID PROTOTYPING -- |tRAZIONALISMO -- |tREDESIGN -- |tREGISTERED DESIGN -- |tRENDERING -- |tRESEARCH -- |tRESPONSIBILITY -- |tRETAIL DESIGN -- |tRETRO DESIGN -- |tRHETORIC -- |tS -- |tSAFETY DESIGN -- |tSCENARIO PLANNING -- |tSCENOGRAPHY -- |tSCIENCE OF DESIGN -- |tSCREEN DESIGN -- |tSEMANTICS -- |tSEMIOTICS -- |tSENSUALITY -- |tSERVICE DESIGN -- |tSET DESIGN -- |tSHOP DESIGN -- |tSIGNATURE DESIGN -- |tSIMPLICITY -- |tSKETCH -- |tSKILLS -- |tSLOW DESIGN -- |tSMART MATERIALS -- |tSOCIAL -- |tSOFTWARE -- |tSOUND DESIGN -- |tSTAGE DESIGN -- |tST. MORITZ DESIGN SUMMIT -- |tSTORYBOARD -- |tSTRATEGIC DESIGN -- |tSTREAMLINE DESIGN -- |tSTYLE -- |tSTYLING -- |tSUSTAINABILITY -- |tSYMBOL -- |tSYNERGY -- |tSYNESTHETIC -- |tSYNTHESIS -- |tSYSTEM -- |tT -- |tTARGET GROUP -- |tTEAMWORK -- |tTEASER -- |tTEMPLATE -- |tTESTING -- |tTEXTILE DESIGN -- |tTEXTURE -- |tTHEORY -- |tTIME-BASED DESIGN -- |tTITLE DESIGN -- |tTOOLS -- |tTRADEMARK -- |tTRAILER -- |tTRANSDISCIPLINARY -- |tTRANSFORMATION -- |tTRANSPORTATION DESIGN -- |tTREND -- |tTV DESIGN -- |tTYPOGRAPHY -- |tU -- |tULM SCHOOL OF DESIGN -- |tUNDERSTANDING -- |tUNIVERSAL DESIGN -- |tURBAN DESIGN -- |tURBAN PLANNING -- |tUSABILITY -- |tUSE -- |tUSP -- |tV -- |tVALUE -- |tVIRTUALITY -- |tVIRTUAL REALITY -- |tVIRTUAL SET -- |tVISUAL COMMUNICATION -- |tVISUAL EFFECTS -- |tVISUALIZATION -- |tW -- |tWEB DESIGN -- |tWICKED PROBLEMS -- |tThe Editors -- |tThe Authors 520 Dieses Wörterbuch bietet die interessante und kategoriale Grundlage für einen ernsthaften internationalen Diskurs über Design. Es ist das Handbuch für alle, die mit Design beruflich und in der Ausbildung zu tun haben, sich dafür interessieren, sich daran vergnügen und Design begreifen wollen.Über 100 Autorinnen und Autoren u.a. aus Japan, Österreich, England, Deutschland, Australien, aus der Schweiz, den Niederlanden und aus den USA haben für dieses Design-Wörterbuch Originalbeiträge geschrieben und bieten so bei aller kulturellen Differenz mögliche Erörterungen an, sich über wesentliche Kategorien des Design und somit über Design grundlegend zu verständigen. Es umfasst sowohl die teilweise noch jungen Begriffe aktueller Diskussionen als auch Klassiker der Design-Diskurse. - Ein praktisches Buch, das sowohl Wissenschaftscharakter hat als auch ein Buch zum Blättern und Lesen ist. 520 This dictionary provides a stimulating and categorical foundation for a serious international discourse on design. It is a handbook for everyone concerned with design in career or education, who is interested in it, enjoys it, and wishes to understand it.110 authors from Japan, Austria, England, Germany, Australia, Switzerland, the Netherlands, the United States, and elsewhere have written original articles for this design dictionary. Their cultural differences provide perspectives for a shared understanding of central design categories and communicating about design. The volume includes both the terms in use in current discussions, some of which are still relatively new, as well as classics of design discourse. A practical book, both scholarly and ideal for browsing and reading at leisure. 546 English 588 Description based on publisher supplied metadata and other sources. 650 0 Design |vDictionaries. 650 0 Design |vTerminology. 700 1 Erlhoff, Michael. 700 1 Marshall, Tim. 776 08 |z3-7643-7739-9 830 0 Board of international research in design. 906 BOOK