Details

Subject(s)

• Poetics [Browse]
• Rhythm in literature [Browse]
• Walking in literature [Browse]
• English language—Versification [Browse]

Series

• Verbal arts--studies in poetics. [More in this series]
• Verbal arts: studies in poetics

Summary note

"This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry--as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies"-- Provided by publisher.

Notes

Includes index.

Bibliographic references

Includes bibliographical references and index.

Source of description

Description based on print version record.

Language note

English

Contents

• Machine generated contents note:
• CHAPTER ONE: STARTING OUT
• 1. Prologue & Preamble
• 2. Talking & Walking
• 3. Rhythm & Meter
• 4. Scansion & Breathing (Cæsura, Beat, Walking Poems)
• 5. Kinesiology & Prosody (Canine Walkies, Galloping Verse, Lame Metrics)
• 6. Writing & Dancing
• 7. Letting the Ducks Out
• CHAPTER TWO: WALKING VOICES
• 1. "And God went, 'Where are you'?" in the Bible's In The Beginning
• 2. The Walking Bass in Monteverdi's My Foot Slips Again [1624]
• 3. "I can Scarcely Move or Draw my Breath" in Purcell's King Arthur [1691]
• CHAPTER THREE: TRIPS OF THE TONGUE IN HAMLET [1600]
• 1. Crawl
• 2. Pause
• 3. Mobility
• 4. Claudication
• 5. Will he Nill he
• 6. Triplex
• CHAPTER FOUR: TALKING CURES
• 1. "Walking and Talking at the Same Time": Wordsworth's Dilation (Pedestrianism, Bumming, Hopping & Ambling)
• 2. "Slips of the Tongue": Freud's Hinking (Hysterical Narratives, Limping Iambics)
• CHAPTER FIVE: WALKIE TALKIES
• 1. Tin Man's "Can Can Can" in The Wizard of Oz [1939]
• 2. Foghorn Leghorn's "Walkie Talkie" in Walky Talky Hawky [1946]
• 3. Lina Lamont's "Pipes and Stems" in Singin' in the Rain [1952]
• 4. L.B. Jeffries' "Totter" in Rear Window [1954]
• CHAPTER SIX: MARCHING & HEILING IN THE GREAT DICTATOR [1940]
• 1. Powerful Crowds
• 2. Goose Steps
• 3. Macaronic Speeches
• 4. Anatine Quacks
• 5. Mind the Music
• CHAPTER SEVEN: SIGN LANGUAGES
• 1. Ma Bell's "Let your Fingers do the Walking" in The Yellow Pages [1962]
• 2. Dorothy Miles' Body-Sign Language in Gestures [1976]
• CHAPTER EIGHT: POSTAMBLE & EPILOGUE
• 1. Reduplication
• 2. Talking the Walk & Walking the Talk
• 3. The Finish Line
• 4. A Walking Solution
• BACK MATTER
• 1. Illustrations (List)
• 2. Abbreviations.

Show 42 more Contents items

ISBN

• 0-8232-5684-7
• 0-8232-5686-3

OCLC

• 915134731
• 900088843

Doi

• 10.1515/9780823256860

Statement on responsible collection description

Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...