LEADER 03639nam 2200625 i 4500001 99125346907806421 005 20240506063520.0 006 m o d 007 cr#cn#|||uuuuu 008 171214t20172017sz a ob 000 0 eng d 019 (OCoLC)1019616950 019 (OCoLC)1024055570 020 9783035613292 |qebook 020 303561329X |qebook 020 9783035613254 |qebook 020 3035613257 |qebook 024 7 10.1515/9783035613292 |2doi 035 (CKB)4100000001044274 035 (MiAaPQ)EBC5116144 035 (DE-B1597)477754 035 (OCoLC)1011439953 035 (OCoLC)1019616950 035 (OCoLC)1024055570 035 (DE-B1597)9783035613292 035 (Au-PeEL)EBL5116144 035 (CaPaEBR)ebr11468542 035 (CaONFJC)MIL1045305 035 (OCoLC)1009073244 035 (EXLCZ)994100000001044274 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 041 0 eng 044 sz |cCH 050 4 NA2800 |b.F695 2017 072 7 ARC009000 |2bisacsh 072 7 ARC010000 |2bisacsh 072 7 ARC013000 |2bisacsh 082 0 729.29 |223 100 1 Fowler, Michael, |eauthor 245 10 Architectures of sound : |bacoustic concepts and parameters for architectural design / |cMichael Fowler. 250 1st ed. 264 1 Basel, Switzerland : |bBirkhauser, |c[2017]. 264 4 |c©2017 300 1 online resource (208 pages) : |billustrations 336 text |2rdacontent 337 computer |2rdamedia 338 online resource |2rdacarrier 546 In English. 505 00 |tFrontmatter -- |tContents -- |tIntroduction -- |tPrelude -- |tChapter 1: An Architecture of the Ear -- |tChapter 2: On Auditory Scale -- |tChapter 3: Dumb Holes and the Acoustic Horizon -- |tChapter 4: The Taxonomy of a Meta-theory -- |tChapter 5: Re-hearing Icons of Architecture I. -- |tChapter 6: Re-hearing Icons of Architecture II. -- |tChapter 7: Acoustic Futures -- |tChapter 8: “Like Quail Clucking . . .” -- |tPostlude -- |tBibliography -- |tPicture Credits 520 Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage. 520 Architekten sind es gewohnt, visuell zu entwerfen. Um ihre Entwurfsgrundlagen zu erweitern, stellt dieses Buch die Zusammenhänge zwischen Klang, Raum, Hören und Architektur dar. Dafür nutzt der Autor zeitgenössische wie historische Bauten und Projekte, aber auch fiktionale, philosophische und theoretische Ansätze: schliesslich soll der Klang nicht nur als Quelle, sondern auch als Instrument des architektonischen Raums definiert werden. Durch die Einführung in eine Metatheorie des „kritischen Hörens" können die Entwerfenden ihre Projekte bereits in der Entwurfsphase akustisch prüfen und auditiv gestalten. 504 Includes bibliographical references. 588 Description based on online resource; title from PDF title page (EBC, viewed December 14, 2017). 530 Issued also in print. 650 0 Architectural acoustics. 776 0 |z3035613222 906 BOOK