Skip to search
Skip to main content
Search in
Keyword
Title (keyword)
Author (keyword)
Subject (keyword)
Title starts with
Subject (browse)
Author (browse)
Author (sorted by title)
Call number (browse)
search for
Search
Advanced Search
Bookmarks
(
0
)
Princeton University Library Catalog
Start over
Cite
Send
to
SMS
Email
EndNote
RefWorks
RIS format (e.g. Zotero)
Printer
Bookmark
At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear.
Author
Gear, Matthew Asprey
[Browse]
Format
Book
Language
English
Published/Created
London : Wallflower Press, 2016.
Description
1 online resource
Details
Subject(s)
Welles, Orson 1915-1985
—
Criticism and interpretation
[Browse]
Welles, Orson 1915-1985
—
Themes, motives
[Browse]
Cities and towns in motion pictures
[Browse]
Contributor
Gear, Matthew Asprey
[Browse]
Gear, Matthew Asprey
[Browse]
Gear, Matthew Asprey
[Browse]
Summary note
The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.
Notes
Includes index.
Bibliographic references
Includes bibliographical references and index.
Reproduction note
Electronic reproduction. New York Available via World Wide Web.
Source of description
Online resource; title from PDF title page (EBSCO, viewed July 5, 2016).
Language note
In English.
Contents
Frontmatter
Contents
Acknowledgements
INTRODUCTION
CHAPTER ONE. THE DECLINE AND FALL OF THE LINCOLN REPUBLIC
CHAPTER 2. AN EMPIRE UPON AN EMPIRE
CHAPTER 3. THE DARKENING MIDLAND
CHAPTER 4. DARKNESS AND FEAR
CHAPTER 5. THE RAUCOUS RAGGLE-TAGGLE JAMBOREE OF THE STREETS
CHAPTER 6. RATLINE TO MAIN STREET
CHAPTER 7. PORT TO PORT
CHAPTER 8. THE BORDER
CHAPTER 9. RETURN TO THE PERIPHERY
INTERLUDE. A FREE MAN IS EVERYWHERE
CHAPTER 10. SKIES AND RUBBLESCAPE
CHAPTER 11. LOST IN A LABYRINTH
CHAPTER 12. TO ADORE THE IMPOSSIBLE
CHAPTER 13. IN THE LAND OF DON QUIXOTE
INDEX
Show 16 more Contents items
ISBN
9780231850902 ((electronic bk.))
0231850905 ((electronic bk.))
Publisher no.
EB00640555
OCLC
945078556
951474174
Doi
10.7312/gear17340
Statement on responsible collection description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
Read more...
Other views
Staff view
Need Help?
Ask a Question
Suggest a Correction
Report a Missing Item
Supplementary Information