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Island in the sun : his 45 finest : 1952-1962 / Harry Belafonte.
Format
Audio
Language
English
Published/Created
England : Nimbus, 2013.
Description
1 online resource (157 minutes)
Availability
Available Online
Music Online: American Music - United States
Details
Subject(s)
Popular music
—
1951-1960
[Browse]
Popular music
—
1961-1970
[Browse]
Calypso (Music)
[Browse]
Performer
Belafonte, Harry, 1927-2023
[Browse]
Library of Congress genre(s)
Popular music
[Browse]
Calypso (Music)
[Browse]
Notes
Title from cover image (viewed November 22, 2021).
"2 CDs"--Cover.
Includes biography of performer, and historical information on music, program notes in English.
Streaming audio files.
Participant(s)/Performer(s)
Harry Belafonte.
Language note
Original language in English.
Contents
Island In The Sun (03:23)
Scarlet Ribbons (02:42)
Shenandoah (03:20)
Matilda, Matilda (03:39)
Suzanne (03:21)
Hold 'Em, Joe (02:36)
I'm Just A Country Boy (03:03)
John Henry (03:30)
Sylvie (05:18)
Jump Down, Spin Around (01:59)
Jamaica Farewell (03:05)
The Banana Boat Song (Day-O) (03:03)
Come Back, Liza (03:05)
Brown Skin Girl (02:43)
Cu-Cu-Ru-Cu-Cu Paloma (05:29)
Hava Nagila (03:13)
Mary's Boy Child (04:20)
Lucy's Door (03:42)
Coconut Woman (03:18)
Don't Ever Love Me (02:48)
Mama, Look A Boo-Boo (02:51)
Fifteen (02:49)
All My Trials (04:32)
Times Are Getting Hard, Boys (03:32)
Turn Around (02:20)
Go 'Way From My Window (03:06)
Cotton Fields (05:16)
The Son Of Mary (03:20)
Wake Up, Jacob (01:52)
My Lord, What A Mornin' (04:25)
Oh, Freedom (03:19)
Look Over Yonder (02:51)
Diamond Joe (03:37)
Rocks And Gravel (03:50)
Swing Dat Hammer (04:38)
There's A Hole In My Bucket (04:15)
The Virgin Mary Had A Baby Boy (03:25)
Jump In The Line (03:42)
The Land of the Sea and Sun (02:57)
The Midnight Special (03:44)
Gotta Travel On (04:19)
Michael, Row The Boat Ashore (03:57)
'Long About Now (03:57)
Bamotsweri (02:33)
Try To Remember (03:24).
Show 42 more Contents items
OCLC
1154314825
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Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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