LEADER 01439nam 2200349 i 4500001 99125238013106421 005 20210414181024.0 006 m o d | 007 cr#||||||||||| 008 210414s2019 nyua ob 000 0 eng d 020 0-19-939700-7 020 0-19-092560-4 020 0-19-939701-5 035 (CKB)4100000007812351 035 (StDuBDS)EDZ0002022777 035 (MiAaPQ)EBC6380717 035 (PPN)237151812 035 (EXLCZ)994100000007812351 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 050 4 GV1781.2 |b.M534 2019 082 0 792.8 |223 245 04 The Oxford handbook of improvisation in dance / |cedited by Vida L. Midgelow. 246 30 Handbook of improvisation in dance 264 1 New York, New York State : |bOxford University Press, |c[2019] 264 4 |c2019 300 1 online resource. 336 text |2rdacontent 337 computer |2rdamedia 338 online resource |2rdacarrier 490 1 Oxford handbooks online 521 Specialized. 505 00 |tPlaying with the Beat: Choreomusical Improvisation in Tap Dance / |rAllison Robbins, Christopher J. Wells -- |tDancing the Interface: Improvisation in Zones of Virtual Exchange / |rThomas F. DeFrantz -- |tModelling Improvisation as Emergence: A Critical Investigation of the Practice of Cognition / |rColleen Dunagan, Roxane L. Fenton, Evan D. Dorn -- |tWhat Remains / |rRobert Bingham, Stephanie Hanna -- |tMoving Sound: New Relationships between Contemporary Dance and Music in Improvisation / |rAna Sâanchez-Colberg, Dimitris Karalis -- |tImprovisational Practices in Jazz Dance Battles / |rJane Carr, Irven Lewis -- |t'Mass may be the single most important sensation': Perceptual Philosophies in Dance Improvisation / |rMalaika Sarco-Thomas -- |tSomatic Sensing and Creaturely Knowing in the University Improvisation Class / |rAlison East -- |tProgrammed Improvisation Inspired from Autonomous Humanoids / |rAmy LaViers -- |tLife Practices: Improvisation and the Politics of Curiosity / |rAnn Cooper Albright -- |tImprovisation and Habit / |rGary Peters -- |tContact Improvisation and Embodied Social Cognition / |rApril Flakne -- |tUnpredictable Maneuvers: Eva Karczag's Improvised Strategies for Thwarting Institutional Agendas / |rDoran George -- |tEthico-aesthetic practice of improvising: relations through motion / |rFiona Bannon -- |tThe Dancer, the Philosopher and the Tramp / |rHilary Elliott -- |tMens Agilis Corpore Agili / |rIvar Hagendoorn -- |tRethinking Improvisation from a Daoist perspective of Qi-energy / |rI-Ying Wu -- |tLost in the Footlights: The Secret Life of Improvisation in Contemporary American Concert Dance / |rKent De Spain -- |tThe Emancipation of Improvisation / |rLarry Lavender -- |tReflections on dance improvisation and its dynamic interrelationship with everyday movement / |rLibby Worth -- |tInstinctive Connections: Improvisation as a research methodology in health and care settings / |rLisa Dowler -- |tValorizing Uncertainty: Chance, Totalitarianism and Soviet Ballet / |rJanice Ross -- |tDancing the Land: An Emerging Geopoetics / |rMelinda Buckwalter -- |tTowards a cognitive theory of joint improvisation: The case of tango argentino / |rMichael Kimmel -- |tChance encounters, Nietzschean philosophy and the question of improvisation / |rPhilipa Rothfield -- |tI notice that I'm noticing... / |rSally Doughty -- |tTranscending Boundaries: Improvisation and disability in dance / |rSarah Whatley -- |tEmbodiologyª: A Hybrid Neo-African Improvisation-as-Performance Practice distinguished by Dynamic Rhythm / |rS. Ama Wray -- |tImprovisation and Argentinean Tango: On playing with body memories / |rSusanne Ravn -- |tImprovisation and the Earth: Dancing in the Moment as Ecological Practice / |rTamara Ashley -- |tImprovising Happiness: Belly Dance's Evolution through Improvisation / |rBarbara Sellers-Young -- |tScoring and Siting: Improvisatory Approaches to Site-Specific Dance / |rVictoria Hunter -- |tMovements of freedom: performing popular liberty in the early cancan / |rClare Parfitt-Brown -- |tAudience Improvisation and Immersive Experiences: the sensuous world of the body in the work of Lundahl & Seitl / |rJosephine Machon -- |tArtful humanising conversations: Improvisation in Early Years dance / |rKerry Chappell, Lizzie Swinford -- |tTwelve Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah's Action Theater training / |rRobert Vesty -- |tMoving in medias res: Towards a phenomenological hermeneutics of dance improvisation / |rNigel Stewart -- |tEmbodied Consciousness in Improvised Performance / |rNalina Wait -- |tDancing Life / |rNorah Zuniga Shaw -- |tIn the Moment: Improvisation in Traditional Dance / |rAnthony Shay -- |tIntention and Surrender / |rStephanie Skura -- |tA Philosophy of the Improvisational Body / |rSondra Fraleigh -- |tExploring Uncertainties of Language in Dance Improvisation / |rLouise McDowall. 520 8 Discussing improvisatory activities in dance, this handbook attests to the presence of improvisation in many forms of dance and to the ways improvisation has been developed and employed for far-reaching purposes. The handbook recognises that improvisation has been a long-standing and central approach within the choreographic process for many dance makers, while for others it is a performance form in its own right. It is also a key feature, though often implicit and overlooked, of most social dance forms and is widely used within therapeutic, educational, and other applied contexts. Accordingly, throughout the handbook examples of improvised dancing from tango to therapy and from contact to ballet are discussed. This breadth expands our vision, such that the nature and significance of the improvisatory can be better understood. 588 Description based on online resource; title from home page (viewed on March 11, 2019). 588 Description based on print version record. 504 Includes bibliographical references. 650 0 Improvisation in dance. 776 |z0-19-939698-1 797 2 ebrary 700 1 Midgelow, Vida, |eeditor. 830 0 Oxford handbooks online. 906 BOOK