LEADER 01349nam 2200325Ia 4500001 99125236032106421 005 20200520144314.0 006 m o d | 007 cr||||||||nn|n 008 060802s2007 cauag obq s001 0 eng d 020 1-282-36018-3 020 9786612360183 020 0-520-94055-5 024 7 10.1525/9780520940550 |2doi 035 (CKB)2430000000010946 035 (EBL)922914 035 (OCoLC)794663683 035 (SSID)ssj0000289939 035 (PQKBManifestationID)11211077 035 (PQKBTitleCode)TC0000289939 035 (PQKBWorkID)10403731 035 (PQKB)10575476 035 (MiAaPQ)EBC922914 035 (OCoLC)667012701 035 (MdBmJHUP)muse30623 035 (DE-B1597)519479 035 (DE-B1597)9780520940550 035 (dli)HEB08024 035 (MiU)MIU01000000000000009826698 035 (EXLCZ)992430000000010946 040 MiAaPQ |beng |erda |epn |cMiAaPQ |dMiAaPQ 041 eng 044 cau |cUS-CA 050 4 ML2075 |b.B475 2007 072 7 PER004000 |2bisacsh 082 0 781.5/42 |222 090 ML2075 |b(INTERNET) 245 00 Beyond the soundtrack : |brepresenting music in cinema / |cedited by Daniel Goldmark, Lawrence Kramer, Richard Leppert. 250 1st ed. 260 Berkeley : |bUniversity of California Press, |cc2007. 300 1 online resource (333 p.) 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 0 Ahmanson Foundation Book in the Humanities 505 00 |tFront matter -- |tContents -- |tIllustrations -- |tIntroduction. Phonoplay: Recasting Film Music -- |t1. The Boy On The Train, Or Bad Symphonies And Good Movies: The Revealing Error Of The "Symphonic Score" -- |t2. Representing Beethoven: Romance And Sonata Form In Simon Cellan Jones's Eroica -- |t3. Minima Romantica -- |t4. Melodic Trains: Music In Polanski's The Pianist -- |t5. Mute Music: Polanski's The Pianist And Campion's The Piano -- |t6. Opera, Aesthetic Violence, And The Imposition Of Modernity: Fitzcarraldo -- |t7. Sight, Sound, And The Temporality Of Myth Making In Koyaanisqatsi -- |t8. How Sound Floats On Land: The Suppression And Release Of Folk And Indigenous Musics In The Cinematic Terrain -- |t9. Auteur Music -- |t10. Transport And Transportation In Audiovisual Memory -- |t11. The Fantastical Gap Between Diegetic And Nondiegetic -- |t12. Early Film Themes: Roxy, Adorno, And The Problem Of Cultural Capital -- |t13. Before Willie: Reconsidering Music And The Animated Cartoon Of The 1920's -- |t14. Side By Side: Nino Rota, Music, And Film -- |t15. White Face, Black Noise: Miles Davis And The Soundtrack -- |t16. Men At The Keyboard: Liminal Spaces And The Heterotopian Function Of Music -- |tNotes On Contributors -- |tWorks Cited -- |tIndex Of Films Cited -- |tIndex Of Names 588 0 Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020) 520 This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role-and many do much more-music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema. 546 In English. 500 "An Ahmanson foundation book in the humanities"--P. [4] of cover. 504 Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index. 650 0 Motion picture music |xHistory and criticism. 650 0 Dramatic music |xHistory and criticism. 776 |z0-520-25070-2 776 |z0-520-25069-9 700 1 Goldmark, Daniel. 700 1 Kramer, Lawrence, |d1946- 700 1 Leppert, Richard D. 830 0 Ahmanson Foundation Book in the Humanities 906 BOOK