LEADER 04038 am 222006493u 4500001 99125208521906421 005 20240424230537.0 006 m o d 007 cr||||||||nn|n 008 120517s2013 ilu o 00 0 eng d 010 |z2012020393 020 0-8101-6638-0 035 (CKB)2670000000560576 035 (SSID)ssj0001036520 035 (PQKBManifestationID)11589247 035 (PQKBTitleCode)TC0001036520 035 (PQKBWorkID)11042150 035 (PQKB)10386162 035 (MdBmJHUP)muse31161 035 (OCoLC)1048737201 035 (ScCtBLL)88c4194d-807d-463a-8359-e68dd326f8e5 035 (oapen)https://directory.doabooks.org/handle/20.500.12854/32576 035 (EXLCZ)992670000000560576 040 MdBmJHUP |cMdBmJHUP 041 eng 050 00 PQ653 |b.B73 2013 082 843.709384 100 1 Bray, Patrick M. |q(Patrick Maxwell) 245 14 The Novel Map : |bSpace and Subjectivity in Nineteenth-Century French Fiction / |cPatrick M. Bray. 260 Evanston, Ill. : |bNorthwestern University Press, |c2013. 300 1 online resource (xiii, 271 p. :) |bill. ; 336 text |btxt 337 computer |bc 338 online resource |bcr 546 English 500 Revised and expanded version of the author's dissertation--Harvard, 2005, under the title: Novel selves: mapping the subject in Stendhal, Nerval and Proust. 504 Includes bibliographical references (p. 255-261) and index. 505 0 Introduction: Here and there: the subject in space and text -- Part I. Stendhal's privilege -- Chapter 1. The life and death of Henry Brulard -- Chapter 2. The ghost in the map -- Part II. Nerval beyond narrative -- Chapter 3. Orientations: writing the self in Nerval's Voyage en orient -- Chapter 4. Unfolding Nerval -- Part III. Sand's utopian subjects -- Chapter 5. Drowning in the text: space and Indiana -- Chapter 6. Carte blanche: charting utopia in Sand's Nanon -- Part IV. Branching off: genealogy and map in the Rougon-Macquart -- Chapter 7. Zola and the contradictory origins of the novel -- Chapter 8. Mapping creative destruction in Zola -- Part V. Proust's double text -- Chapter 9. The law of the land -- Chapter 10. Creating a space for time -- Conclusion: Now and then: virtual spaces and real subjects in the twenty-first century. 588 Description based on print version record. 520 Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory. 540 |fCC BY-NC-ND 536 Knowledge Unlatched 506 0 |fUnrestricted online access |2star 650 0 Subjectivity in literature. 650 0 Space and time in literature. 650 0 French fiction |y19th century |xHistory and criticism. 653 Literature 653 Autobiography 653 Émile Zola 653 Gérard de Nerval 653 Indiana 653 Les Rougon-Macquart 653 Marcel Proust 653 Nanon (1938 film) 653 Paris 653 Stendhal 776 |z0-8101-2866-7 906 BOOK