The Oxford handbook of cinematic listening / edited by Carlo Cenciarelli.

Format
Book
Language
English
Published/​Created
New York : Oxford University Press, 2021.
Description
1 online resource (776 pages) : illustrations.

Details

Subject(s)
Editor
Series
Oxford handbooks online. [More in this series]
Summary note
Featuring perspectives from musicology, film studies, literary studies, ethnomusicology, sound studies, popular music, sociology, media and communications, and psychology, 'The Oxford Handbook of Cinematic Listening' explores the intersection between the history of listening and the history of the moving image.
Notes
Also issued in print: 2021.
Bibliographic references
Includes bibliographical references and index.
Target audience
Specialized.
Source of description
Description based on online resource; title from home page (viewed on March 4, 2021).
Contents
  • The Possibilities of Cinematic Listening: An Introduction / Carlo Cenciarelli
  • Leveraging a Long and Tuneful History: Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward
  • Outside of the Frame: Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham
  • "You Sorta Listen With Your Eyes": How Audiences Talk About Film Music / Martin Barker
  • Hearing Film Music Topics Outside the Movie Theatre: Listening "Cinematically" to Pastorals / Janet Bourne
  • Summon the Cinematic? Aural Mediation and Filmic Immersion in the Case of Remote Taipei / Ya-Feng Mon
  • Making Sense of Noise and Silence in La Captive / Richard Dyer
  • Music Lovers. Listening in (and through) Composer Biopics / Guido Heldt
  • "Deeds of Music" in Bourgeois Opera (What the listeners sees ...) / Peter Franklin
  • Hi-Yo Rossini: Hearing Pre-existing Music as Post-existing Music / Jonathan Godsall
  • Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code
  • Fist to Face: Corporeal Listening and the Cinematic Punch / Lisa Coulthard
  • Listening-Feeling-Becoming: Cinema Surveillance / Miguel Mera
  • Sensing Time and Space through the Soundtracks of Interstellar and Arrival / John Richardson, Anna-Elena Pèaèakkèolèa, Sanna Qvick
  • The Erotics of Cinematic Listening / Danijela Kulezic-Wilson
  • Hearing and Teaching Soundtracks as a Mother and a Daughter: A Personal, Feminist, Pedagogical Approach to Flux / Elsie Walker
  • The Trailer Ear: Constructions of Loudness in Cinematic Previews / James Daeville
  • A Movie for Speakers: Queen's Flash Gordon and the Integrated Soundtrack Album / Paul N. Reinsch
  • Pop Music, Processing Fluency, and Pleasure: Film Songs as Both Hype and Memento / Jeff Smith
  • Hearing the Shadows at Le Chat Noir's Pre-Cinematic Theatre / Emilio Sala
  • "If You Know Arabic, Indian Songs Are Easy for You": Hindi Film Songs in Tamale, Northern Ghana / Katie Young
  • Hearing Secondary Explosions: The Naudet Brothers' 9/11 and Audiovisual (A)synchronization in Twenty-First-Century Media / Randolph Jordan
  • Listen Again: Music Videos' Cinematic Soundscapes / Laurel Westrup
  • Evolving Storylines and Patterns of Listening: The Case of Invasion at the Dawn of the Binge Age / Robynn Stilwell
  • Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film / Holly Rogers
  • iPod Listening as an I-voice: Cinema, Personal Stereos, and a Fantasy of Communication / Carlo Cenciarelli
  • Fantasias on a Theme by Walt Disney: Playful Listening and Video Games / Timothy Summers
  • Old(er) Media and New Musical Affordances in Virtual Reality Experiences / Michiel Kamp
  • Projections of Image on Sound: Reassessing the Relation Between Music Video and Cinema / Mathias Bonde Korsgaard
  • Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert
  • The Courtship of Ada and Len: Media Musicals and Vocal Caricature before the Cinema / Jacob Smith
  • The "Trickality" of Listening in Early Musical Trick Films / Julie Brown
  • Cinematic Listening and the Early Talkie / James Buhler
  • Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters
  • "The Atmosphere Was Entirely Good Humoured": The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith
  • Tasteful Networks of Attention: Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece.
Other title(s)
  • Handbook of cinematic listening
  • Cinematic listening
ISBN
  • 9780190853631
  • 0190853638
  • 9780190853648
  • 0190853646
  • 9780190853624
  • 019085362X
OCLC
1193558499
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